Saturday, September 30, 2023

Stages of a Vocabulary Lesson

Presentation


1. lead-in (to the context of the model text)
2. gist task for model text
3. specific information or detail task for model text
4. noticing activity for model text.

5. clarify meaning of target language (e.g. Match the Words to the Definitions)
         (then check the meaning use concept checking questions)
6. clarify form of target language
7. clarify pronunciation of target language (numbers 6 & 7 can be in either order)

Practice

8. Controlled practice--sentence gap fill (e.g.  Kahoot, board race,)
9. Semi-Controlled Practice (e.g. silly sentences, write a sentence, hot potato)

Production

10. Freer Practice (e.g discussion questions)

The difference between controlled practice, semi-controlled practice and freer practice is explained in this post here.  The example activities in that post are all for grammar points, but the concept is the same.

bonus activities: memorize the word and definition games--suitable as extra practice for the clarification of meaning or as review activities in subsequent lessons (e.g. grab the cardbacks to the boardmatching gamecrossword puzzleDescribe the Card to Your Grouptaboo, Bang!, Blooket, Gimkit, quizlet, Baamboozle)

For a similar Lesson Planning Template, see the 1st page of this flowchart HERE

Stages of a Grammar Lesson

Presentation


1. lead-in (to the context of the model text)
2. gist task for model text
3. specific information or detailed comprehension task for model text
4. noticing activity for model text. (e.g. sorting activity)

5. clarify meaning of target language (use concept checking questions)
6. clarify form of target language
7. clarify pronunciation of target language (numbers 6 & 7 can be in either order)

Practice


Production


For a similar Lesson Planning Template, see the 1st page of this flowchart HERE

Friday, September 29, 2023

Stages of a Reading Lesson

[Note: it is not possible or desirable to do all of these stages in a single lesson.  This simply represents a range of options that can be used for a reading text.  The activities are listed in the order that they should be done in class--i.e. you can omit activities, but don't change the order of activities.]

Pre-Reading

3. Pre-Teach Vocabulary (This can also be moved to after the gist task)

Reading

7. Understanding the text for Detailed Comprehension
8. Understanding Inferences in the text
9. Personalization (Students' own opinions about the text)

Post Reading

11. Exploit the text for grammar or vocabulary work

For a similar Lesson Planning Template, see the 2nd page of this flowchart HERE

Stages of a Listening Lesson

[Note: it is not possible or desirable to do all of these stages in a single lesson.  This simply represents a range of options that can be used for a listening text. The activities are listed in the order that they should be done in class--i.e. you can omit activities, but don't change the order of activities.]

Pre-Listening

3. Pre-Teach Vocabulary (This can also be moved to after the gist task)

Listening

7. Understanding the text for Detailed Comprehension
8. Understanding Inferences in the text
9. Personalization (Students' own opinions about the text)

Post Listening

12. Exploit the text for grammar or vocabulary work

For a similar Lesson Planning Template, see the 2nd page of this flowchart HERE

Orientation to the Text (for Reading and Listening Lessons)

(TESOL Ideas--Activities that Can Be Used with Any Reading Text , Activities That Can Be Used with Any Listening Text)

This is another entry in my quest to define all the terms I use on this blog.
"Orientation to the text" usually occurs after the lead-in.  The purpose is to clarify for the students all the variables of the reading or listening text.  So, for example, for a listening text, some of the variables could be: Who are the speakers on the audio? What is their relationship to each other? Where are they? What are they talking about? etc

In the past, I've often confused the lead-in with orientation to the text.  And, I hate to say this, but if you search my archives of materials on this blog, you will find several examples of a lesson stage that is labelled as "lead-in" but is actually "orientation to the text".
But I had the opportunity to work with a CELTA tutor a few years ago, and he set me straight on the difference.  And going forward, I'm going to try to be more precise in my terminology.

The difference is that a lead-in is supposed to be a brief conversation prompt that allows the students to relate their own life to an aspect of the reading or listening text.  So, to continue the example of parties that I introduced in the previous post, for a listening text on parties, the lead-in might be, "talk to your partner about a party that you enjoyed."
However, the orientation to the text would be: "You are going to listen to a conversation between two people.  They are brother and sister.  They are talking about a party that they went to last night."
As always, as much as possible, this should be done through eliciting.  Most textbooks nowadays have  will have some sort of photo that shows the people, so use the photo.  "What can you see? Who are they? What do you think their relationship is?  What do you think they are talking about?"
If the textbook doesn't have a suitable photo, you can usually find some sort of approximate photo on Google images that you can appropriate.  

*************************
"Orientation to the text" could also be a time where you clarify any background information that the text assumes, but that may not be known to the students. 
A good example of this is a lesson I taught recently in Reflect Listening & Speaking 5Listening 1: How to Structure a Good Story p.4-8.  The listening text was on story structure.  Romeo and Juliet was used as an example to illustrate the stages of a story.  The assumption behind the text was that the students were already familiar with the story of Romeo and Juliet, and the purpose of the listening text was to use this pre-existing information as an example of the 3 act story structure.
However, in my case, I knew not all of my students would be familiar with the story of Romeo and Juliet.  So before we did the listening, I briefly went over some of the key plot points of Romeo and Juliet.  
I did this by showing them some Youtube clips from the Romeo and Juliet movies.  See HERE.  

And once again, it's best to elicit as much as possible.  (To once again quote As J.J. Wilson from How to Teach Listening, you don't want to do a listening before the listening.)  So instead of narrating the clips myself, I played the movie clips without the sound on, and got the students to describe to me what was happening.  I added clarification as necessary, but for the most part the students were able to get the main parts themselves. 

Thursday, September 28, 2023

Lead-in (for Reading and Listening Lessons)

(TESOL Ideas--Activities that Can Be Used with Any Reading Text , Activities That Can Be Used with Any Listening Text)

If you search through my archives of TESOL materials, you'll notice that I've used the term "lead-in" repeatedly.  But I've never bothered to define it.  It's a very classic CELTA term, so I've often just assumed that other TESOL teachers would know what I meant.
However, recently I've been on a mission to define all the terminology that I use on this blog. So I should probably talk about what exactly a "lead-in" actually is.

A "lead-in" is an activity that is used at the very beginning of a reading or listening lesson (*).  The main purpose of a lead-in is to get the students interested in the topic of the reading/listening text.  A secondary purpose might be to activate the students pre-existing knowledge about the topic.
In its most typical form, a lead-in would consist of a conversation prompt that relates to the students' life in some way, but also relates to the topic of the reading or listening text.
So, for example, imagine the listening text is a conversation between two people about a party that they went to.  A lead-in could be, "Talk to your partner about the last time you went to a party.  Where did you go?  What did you do? Did you have fun?" et cetera.
The students would then spend a couple minutes talking to their partner about a party that they went to.  And, in theory, after they've had the opportunity to relate the topic to their own life, this will make them more receptive to listening to a reading about the same topic.

Now, obviously this approach works best with reading or listening texts which are about everyday life topics.  It gets a bit harder to devise interesting lead-ins when the reading or listening text is about some more exotic topic not related to students' lives (looking at you, National Geographic textbooks).  But with a little bit of creativity, you can usually devise some sort of personalized speaking prompt that relates to an aspect of the reading/listening text.  
So, for example, when I had to do a reading lesson on Alaskan Ice Climbing, and I knew none of my Vietnamese students had ever gone ice-climbing, the lead in was a mingle activity in which students talked about the most dangerous thing they had ever done (see here and here).  It was stretching things a little bit, but it was the best I could think of.  (The examples in the slideshow  were supposed to stimulate ideas, and were my attempt to include both exotic dangerous activities as well as mundane dangerous activities--e.g. riding a motorbike without a helmet is relatively common in Vietnam.)  I probably could have done a better job of making it relevant to the students' lives, in retrospect, but you get the idea.

So, to summarize, the ideal lead-in is a short conversation prompt which relates both to the reading/listening and to the students own lives.
2 or 3 questions is probably the limit.  You usually don't want to go overboard and give the students a whole page full of questions.  (Although, if you look through my archived materials, you can see I've sometimes been guilty of this in the past--see here, for example.)

And the lead-in works best when it's a personalized speaking prompt.  We want students to be talking and to be active.  Often there's a temptation to find a really interesting Youtube video on the same topic, and use that as your lead-in to try to pique student interest, especially when your teaching a reading/listening on a specialized topic (see, again, the National Geographic textbooks).  But this is usually a bad idea.  (As J.J. Wilson says in How to Teach Listening, your lead-in to a listening text shouldn't be another listening activity.  It'll just exhaust students.)  
...although, once again, this is another mistake I've definitely been guilty of in the past.  If you search my archives, you can find plenty of lessons when I've used Youtube videos as lead-ins.  But it's something I'm trying to do less of now.

As far as setting up and running the lead in:
Just like any other stage in a lesson, the "lead-in" is usually structured in the following way:
1) Set up the task
2) Students do the task
3) Feedback on the task

We'll go through these steps briefly below:

1) Set up the task
The set-up should ideally be short and sweet.  The teacher should give out the speaking prompt, and possible give a brief personal example to illustrate.  In order to avoid excessive Teacher Talking Time, and to increase student involvement, it's always best to elicit the example as much as possible.  

Pictures work best for this, if at all possible. For a hypothetical illustration, let's go back to the example above with the lesson about parties.  Before the lesson, I would dig around for old photos of myself in Facebook or Google Photos, etc.  I would find photos of me at some party.  I would put the photos on a PowerPoint.  But then instead of describing these photos, I would use eliciting questions to get the students to describe the photos to me.  e.g. "Look at this picture?  Where am I?  What am I doing?  Who am I talking to?  Am I having fun?"
Once I've used the eliciting questions to get students to describe the picture of me at a party, I would then say, "Okay, talk to a partner.  When did you last go to a party?  Where was it? Who did you talk to? Did you have fun?"

Now, obviously all of this is an ideal set-up.   (It assumes I have a classroom with a computer and a projector, pictures of myself that I can locate, a topic that lends itself to personalization, etc).  But sometimes it does all work out.  And in those cases, I think this is the ideal way to set up the lead-in. 
For a real example of this, see my lesson on Rosie's Walk.   The reading text is about a walk that somebody goes on.  So for the lead-in, I have the students discuss a time that they walked somewhere.  And for the  example, I include real photos of me on a walk (see slideshow here) and I get the students to describe the photos to me.

In other cases, if you don't have the perfect photo of yourself in that situation, you can just use stock photos from Google Images to elicit from students.  So, for example, this lesson.  The listening text was on plans for the weekend.  So the lead-in was that the students talked about their own plans for the weekend.  So I gave the students an example from my own life but I used generic pictures to elicit all the activities (see slideshow here).

2) Students do the task
The students are assigned a partner.  (According to CELTA methodology, the teacher always assigns the partners--ideally quickly.  e.g. "You two together, you two together, you two together, a group of three over here.")
During the task, the teacher listens in, and notes which students have stories that would be suitable for whole class feedback.  (e.g. if you overhear one student say to her partner that she's never been to any parties, and she doesn't have anything to talk about, then you want to make sure that you don't call on that student during the whole class feedback.)  The teacher should not interfere with the speaking activity, unless the students ask for support.

3) Feedback on the task
As an experienced CELTA tutor once told me, you should never give any language related feedback during the lead-in (i.e. don't correct any language mistakes--grammar, vocabulary, pronunciation--that the students make during the lead-in.)
This is for a few reasons: 
1) the purpose of the lead-in is to get students interested in the lesson, and we don't want them to start tensing up and worrying about correction already.  
2) The nature of the feedback should always be related to purpose of the lesson stage.  The purpose of the lead-in is to generate ideas, so the feedback should be related to ideas, not language accuracy.
3) The students haven't yet been taught anything at this stage of the lesson, so it's not fair to correct them on anything yet.

So, ideally, don't do any language correction during the lead-in stage. (**)
Instead, the teacher would nominate one or two students to share their answers with the whole class.  
As mentioned above, the teacher should use their notes to make sure they call on students who actually have something to say (and avoid embarrassing students who don't have suitable responses.)
The teacher should then give some sort of brief comment on the content of the student's response, (e.g.  "That sounds like it was a very fun night out.  Thank you for sharing"), but avoid commenting on the language accuracy of the response.

Notes:
(*) The exception to this would be that some teachers like to do a quick game to review the language from the previous lesson.  This serves the purpose of (1) warming the students up and getting them ready to study, (2) reviewing the material from the previous lesson, and helping to cement it into their permanent memories, (3) allowing for late-comers to come in and get settled in the first 10 minutes, without missing any crucial parts of the main lesson.
In these cases, the lead-in would be the second activity of the lesson, not the first.  But it would still be considered the first stage of the "main lesson".

(**) A possible exception to this would be if you have a group of students who request more language correction throughout the lesson.  (Some students want the teacher to provide constant correction.  This tends to be more of an issue with highly motivated adult learners, and less of an issue with teenagers and young learners.)  In this case, you might select one or two language accuracy issues to give feedback on during the lead-in.  It's not the CELTA methodology, but in the real world the methodology is always negotiated with the needs of the particular students.  
(The only thing to be careful about, though, is to make sure that everyone in the class wants the increased correction.  In some cases, it could just be a couple students who are more vocal than their classmates, and the majority of the class actually doesn't want the increased correction.)

Lead-in for Grammar and Vocabulary Lessons

I should mention that lead-ins are also used for grammar and vocabulary lessons.  This is during the presentation stage of the lesson.  In these cases, the lead-in is for the context, not the grammar point.
You see, in the CELTA method, the sentences used to illustrate the grammar point are not just random sentences.  Rather, a context is selected in which to present the grammar point, and the sentences come from that context.
So, for example, in this lesson on "going to future", the context is plans for the weekend and all the examples of "going to" come from that context.  So, the lead-in, then, is "talk about your plans for the weekend"
It's important to remember that the lead-in is a lead-in to the context, and not a lead-in to the grammar itself.  
For a classic example of when I screwed this up, see this this Lesson For Quantifiers on Countable and Uncountable Nouns.  In my lesson plan, I had the first stage classified as a lead-in, but it was actually a sorting activity for countable and uncountable nouns, and not a lead-in to the context.  As my manager pointed out when he observed the lesson, the real lead-in to the lesson was when I had the students discuss the difference between the city and the countryside (lesson plan here, slides here).  The city and the countryside discussion was the context in which I was illustrating the quantifiers (e.g. "not much pollution", "not many buildings" etc), so getting the students to discuss the differences between the city and the countryside was the actual lead-in, and that's where I should have begun the lesson.
I later used that lesson (or at least a version of that lesson) to illustrate the wrong way to do lead-ins in my presenting grammar workshop.

Wednesday, September 27, 2023

Collocations and Vocabulary for Studying Abroad

(TESOL Materials--collocationsSpecific Vocabulary Sets)

[Below is a quizlet that I used as supplementary materials when teaching Expert IELTS 6, Unit 7, 7b Speaking Part 1 p.113.   However, as I believe that this quizlet could also be used independently for a general lesson on vocabulary for studying abroad, I'm also posting it here.]

* quizlet: Expert IELTS 6 7B p.113 (https://quizlet.com/814000128/expert-ielts-6-7b-p113-flash-cards/?i=fo89z&x=1jqt)


broad wide
abroad in or to a foreign country
travel abroad travel in a foreign country
study abroad study in a foreign country
budget the amount of money you have for something
tight firm and difficult to move
tight budget not having much money
living on a tight budget not having much money to live on
live on If you _____________ an amount of money, that is the money that you use to buy the things that you need
culture the habits, traditions, and beliefs of a country, society, or group of people
shock a big, unpleasant surprise
culture shock the feeling of confusion someone has when they go to a new and very different place
integrate to become part of a group or society
integrate with __________ to become part of a group of people
integrate with other students to become friends with the other students
home the place where you live
sick ill (adjective)
sickness the state of being sick (noun)
homesick feeling sad because you are away from your home (adjective)
homesickness the state of feeling sad because you are away from home (noun)
course a series of lessons about a particular subject
work to do something that needs a lot of time or effort
coursework work done by students as part of their course of study
complete to finish doing something
completing coursework finishing all the homework, projects and studying that you have for school
Another Hey! I Know that Guy! post.

Jeremy was my old team mate on the high school swim team.  He's since gone on to be very active in issues, and I've linked to his stuff numerous times before (see HERE, HERE, HERE, HERE, HERE, etc)
Another edition of Hey! I Know that Guy!.
This youtube video is by a former co-worker:


As you can see, he's obviously put a lot of work into this video, but it doesn't yet have the views it deserves.  So give it a watch.  Give it a like.  Share it with some friends.  Subscribe to his channel.  All the usual Youtube stuff.

Monday, September 25, 2023

Diagramming Prepositional Phrases

(TESOL Worksheets--Prepositional PhrasesNoun Phrases, diagramming sentences)
Google: slides, pub
additional sentences: docs, pub
[The sentences, and diagrams, are taken from the website Grammar-Revolution: Grammar Through Sentence Diagramming--specifically Chapter 3: Prepositional Phrases.  In order to use this, I had to teach my students the basics of sentence diagramming first, but fortunately they caught on quickly.  I used this to supplement the complex noun phrases lesson in Expert IELTS 6Language Development and Vocabulary p.112.  However, as is made clear on the original site that I took these from, some of these prepositional phrases are actually used to modify verbs.   (You can see this quite clearly in the diagrams).  I still did it as a noun phrase lesson, but I just did the prepositional phrases modifying verbs as a little extra bonus.]


1. The boy with the big house in the city loves the girl with the tattoo of the dragon.


2. The refurbishment of the oldest wing of the museum is very expensive.


3. The museum is a celebration of old and new culture in New Zealand.


4. The top floor represents the original groups of people on the island.


5. You must visit the traditional cave near the centre of the gardens.


6. The history of the island is represented by the spheres on the left at the entrance to the museum.


Sunday, September 24, 2023

Prepositional Phrases: Scrambled Sentences

(TESOL Worksheets--Prepositional Phrases, Noun Phrases)
Google: docs, pub
[These sentences were taken from the website Grammar-Revolution: Grammar Through Sentence Diagramming--specifically Chapter 3: Prepositional Phrases.  I changed them into a scrambled sentence activity.  I used this to supplement the complex noun phrases lesson in Expert IELTS 6, Language Development and Vocabulary p.112.  However, as is made clear on the original site that I took these from, some of these prepositional phrases are actually used to modify verbs.   I still did it as a noun phrase lesson, but I just did the prepositional phrases modifying verbs as a little extra bonus.  The words from these sentences are put into boxes on the worksheet, and they are to be cut up and scrambled before class. In my class I photocopied each sentence on a different color paper.  Therefore, I put 4 copies of each sentence onto each sheet of paper.  That way I could get 4 copies of the same sentence on a sheet of pink pager, 4 copies of the same sentence on a sheet of blue paper, etc.  (In my class, I divided my students up into four groups, so each group got a copy of the scrambled sentence.)  If you want to arrange your groups differently, you can make a copy of the document, and adjust the formatting accordingly.]

the

hairy

dog

sat

in

the

corner

of

the

room



the

hairy

dog

sat

in

the

corner

of

the

room



the

hairy

dog

sat

in

the

corner

of

the

room



the

hairy

dog

sat

in

the

corner

of

the

room




the

ice cream

is

in

the

back

of

the

fridge



the

ice cream

is

in

the

back

of

the

fridge



the

ice cream

is

in

the

back

of

the

fridge



the

ice cream

is

in

the

back

of

the

fridge


I

shop

at

the

grocery store

on

main street



I

shop

at

the

grocery store

on

main street



I

shop

at

the

grocery store

on

main street



I

shop

at

the

grocery store

on

main street






Which

of

the

pages

in

this

book

ripped



Which

of

the

pages

in

this

book

ripped



Which

of

the

pages

in

this

book

ripped



Which

of

the

pages

in

this

book

ripped






Can

you

fit

between

the

roots

of

this

tree



Can

you

fit

between

the

roots

of

this

tree



Can

you

fit

between

the

roots

of

this

tree



Can

you

fit

between

the

roots

of

this

tree