This is the
fourth volume in the Three Musketeers
series. (See also The Three Musketeers, Twenty Years After and The Vicomte de Bragelonne).
As I
mentioned in my review of The Vicomte de
Bragelonne, in the original French publication there are only 3 books
total, but in English the final 3rd book is split into 4 volumes. So this was originally chapters 76-140 of the
3rd book. (Divisions differ slightly
from publisher to publisher, but I downloaded this book from Project Gutenberg—LINK HERE, so I’m following their divisions.)
I should
also mention that the title of this book is inaccurate and needlessly confusing.
This does not take place 10 years after
the preceding volume, but rather picks up immediately where The Vicomte de Bragelonne left off. The title for this volume comes from the fact
that in the original French publication, the whole 3rd book was entitled The Vicomte de Bragelonne: Ten Years Later. The title was split across two separate books
in the English translation, but it means that both books together take place 10
years after the events described in Twenty
Years After. Or in other words, 30
years after the events described in original Three Musketeers.
Did I
manage to describe that without confusing everyone? Here’s the same information in a table form:
Book
|
Dates
|
|
The Three Musketeers
|
1625-1628
|
|
Twenty Years After
|
1648-1649
|
|
The Vicomte de
Bragelonne: Ten Years Later: Chapter 1-269
|
The Vicomte de
Bragelonne: Chapters 1-75
|
1660
|
Ten Years Later:
Chapters 76-140
|
1660-1661
|
|
And two more books yet to read…
|
The Review
Much of what I had to say for The Vicomte de Bragelonne holds true for
this book as well, only perhaps even more so now.
The
original 4 Musketeers barely figure at all in this volume. They pop up from time to time, but they are
now minor characters in their own series.
The story
changes focus so often that it’s hard to tell who the main characters are supposed
to be. One character will be followed
for several chapters, only for their story to be abruptly dropped as the
narrator changes over to another character.
But broadly speaking, the story is now all about the nobles and
courtiers of the court of Louis XIV, and the young King Louis XIV himself.
Instead of
being tightly focused, the story keeps expanding outwards and outwards. More characters, plots, intrigues, and
romances are constantly being brought into the story.
There’s
political intrigue as the struggle between the superintendent
Fouquet and the finance minister Colbert.
There’s
religious intrigue as the new leader of the Jesuits is chosen (and even hints
of a rivalry between the Jesuits the Pope.)
And there
are several love triangles and romances.
I’m not
sure whether Alexandre Dumas is going to provide a satisfying conclusion to all
the plots he’s introduced, but at the moment I’m loving how ambitious this
story is. (I’ve always loved epic
stories, and this definitely seems to be developing into quite an epic.)
Although
the book at times reads like an overly-dramatic romantic novel, a trip over to
Wikipedia reveals that much of the book is actually (loosely) based on real
historical fact. Many parts of the book that
I thought were pure invention turned out to be at least partly true. For example, the Duke of Buckingham really was sent away from France for acting scandalously
during Prince Philip and Princess Henrietta’s wedding (W). The Comte de Guiche really did have a rumored affair with Princess
Henrietta (W). In fact most
of the characters in this book are loosely based on real historical
figures.
If you’re a
fan of historical fiction, all this increases the interest of the
book even more.
(Admittedly
not everyone is a fan of historical fiction.
Even among fellow history buffs, I meet people who say they prefer to
just read straightforward history rather than have to sort out the truth from
fiction. But I actually prefer learning
history from stories, and then once my interest in the period has been piqued,
I enjoy doing my research afterwards to find out how much of the story is
true.)
Against all
this, however, I do have two complaints about the book:
1). The
pacing of the book is a little bit too slow for me. In contrast to the fast pace of the original Three Musketeers, Alexandre Dumas is now
clearly taking his time to set up the story, and the various scandals and love
triangles are all set-up very slowly.
Characters will spend several chapters admiring someone else from a
distance, or spend a long time only hinting at deeper feelings. Whenever a new courtroom scandal finally does
emerge, then the pay-off is good. But the getting there can be tedious.
2). Although
it’s difficult to decide who the main characters are in this epic tale, Raoul
and Louise de Valliere are clearly meant to be the most sympathetic
characters. But Alexandre Dumas put in
too much effort into making them good, virtuous, and innocent, and the result
is that they are the most boring characters in the whole story. As a result, I have trouble working up any
interest in their storylines.
Link(s) of the Day
Noam Chomsky (2014) "How to Ruin an Economy; Some Simple Ways"
And from cracked.com 5 Dick Moves Your Bank Pulls (You Won't Believe Are Legal)
Which, speaking of how banks annoy me, this also summarizes my own opinion.
And, from Salon.com, an excerpt from the new Bart Ehrman book: Did Jesus think he was God? New insights on Jesus’ own self-image
And from cracked.com 5 Dick Moves Your Bank Pulls (You Won't Believe Are Legal)
Which, speaking of how banks annoy me, this also summarizes my own opinion.
And, from Salon.com, an excerpt from the new Bart Ehrman book: Did Jesus think he was God? New insights on Jesus’ own self-image
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