A quick recap of my Chris Nolan viewing history:
I didn't see Memento until a few years after it came out. But I rented it one afternoon, and was absolutely fascinated by it. In fact, I was so fascinated by it, I watched the DVD twice in one sitting. Once the movie finished, I just went back to the menu screen and played it again. (I've never done that before or since.)
Actually the second time I watched it, I noticed the plot wasn't quite as airtight as I had thought the first time. In fact, if you pay close attention there are a number of inconsistencies with the short term memory thing. Still, it was pretty entertaining.
"The Prestige" (which I reviewed on this blog) was a very similar experience. I didn't watch this one twice, but while I was watching it I was too absorbed in the magic of the story to think about the plot holes. Once the film ended, me and my friend started to pick away at bits and pieces of it.
(Nolan also did "The Dark Knight," but that's probably in a separate category as a super-hero movie.)
As for "Inception," I'm not sure if it all made sense or not. My brain was so busy trying to keep track of everything that I wasn't looking out for plot holes. Plus the pace of the movie just keeps you rushing from one scene to the next without really giving you a lot of time to think about what you just saw.
There were one or two scenes however, where I thought maybe the movie was breaking it's own rules. But I wasn't sure. Maybe I just missed something. I'd probably have to watch this movie a couple more times, or talk about it some more with a friend, to fully get my head around it.
So for the moment I'll leave aside the question of consistency, and just say that I thought the movie was very entertaining.
That's really the genius of these Chris Nolan movies. Sure movies like Memento, The Prestige, and Inception have lots of mysteries and plot twists that keep you guessing all the way through. But the movies are more than just their plot twists. They're also well told stories, well directed and expertly paced.
I loved the way the tension in this film kept building so I was on the edge of my seat the whole time. Even in the scenes where there's not a lot of action happening on screen, there's always a lot of tension.
And I loved the way the 1930s era pulp fictiony feel of this movie--the way the characters were always walking around with perpetual one day's stubble on their faces, the exotic locations and chase scenes through exotic streets. The protagonists are the standard rogues gallery of crooks who come together for a job, but it's done well: like the forger who is hiding out in Africa, or the chemist who hangs out in an office surrounded by chemicals.
At the beginning of the film you think you're in for an exploration of dream psychology. But after using just enough of this to set the tone, the dream world becomes totally unrealistic.
In fact the dream worlds reminded me a lot more of "The Matrix" world than actual dreams. Which is okay--you just have to accept that this is a Matrix type movie rather than a psychological exploration movie. There are certain alternate realities that the movie creates, and they're governed by certain rules which the movie lays out.
(Whether or not the movie does a good job of sticking to it's own rules is something I really would have to watch a second time to decide.)
The action scenes were for the most part pretty well done, although this movie loses at least one point for all those repetitive scenes in which the bad guys are firing tons of bullets but can't seem to hit anything.
(Yes, this is one of those cliche movies where every shot the bad-guys take is always wide of the mark, even when they're standing right next to their target.) But still a great movie.
Link of the Day
Noam Chomsky - The War Against Terror
Inception: Movie Review (Scripted)
2 comments:
thanks for japanese anarkis
I assume that's a referenc to (this post?)
Thanks for the comment, glad it was useful for you.
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