Showing posts with label Rudyard Kipling. Show all posts
Showing posts with label Rudyard Kipling. Show all posts

Tuesday, April 28, 2026

If-- by Rudyard Kipling: Poem

(TESOL Worksheets--Poems ESL Listening)

Transcript: docspub
Video: HERE


If-- by Rudyard Kipling: poem


Video: https://youtu.be/LuLF4QlA3Po


If you can keep your head when all about you

    Are losing theirs and blaming it on you;

If you can trust yourself when all men doubt you,

    But make allowance for their doubting too:

If you can wait and not be tired by waiting,

    Or being lied about, don't deal in lies,

Or being hated don't give way to hating,

    And yet don't look too good, nor talk too wise;


If you can dream—and not make dreams your master;

    If you can think—and not make thoughts your aim,

If you can meet with Triumph and Disaster

    And treat those two impostors just the same:

If you can bear to hear the truth you've spoken

    Twisted by knaves to make a trap for fools,

Or watch the things you gave your life to, broken,

    And stoop and build 'em up with worn-out tools;


If you can make one heap of all your winnings

    And risk it on one turn of pitch-and-toss,

And lose, and start again at your beginnings

    ⁠And never breathe a word about your loss:

If you can force your heart and nerve and sinew

    To serve your turn long after they are gone,

And so hold on when there is nothing in you

    ⁠Except the Will which says to them: 'Hold on!'


If you can talk with crowds and keep your virtue,

    Or walk with Kings—nor lose the common touch,

If neither foes nor loving friends can hurt you,

    If all men count with you, but none too much:

If you can fill the unforgiving minute

    With sixty seconds' worth of distance run,

Yours is the Earth and everything that's in it,

    ⁠And—which is more—you'll be a Man, my son!


Sunday, March 09, 2025

The Second Jungle Book by Rudyard Kipling: Book Review


Started: March 4, 2025

This is a reread.  As I mentioned in the video, I originally read The Jungle Books (which combined The Jungle Book and The Second Jungle Book into one volume) back in 6th grade.  However, since this is my first time reviewing this book on this blog, according to my new rules, it gets a video only review.





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Saturday, August 17, 2024

Saturday, April 16, 2016

The Jungle Book (2016)

(Movie Review)

My History with this Story
So, like everyone else in the world, Disney was a big part of my childhood.
In my case, even more so than most of my schoolmates, because at our house we were not allowed to watch regular TV, and our media input was largely limited to PBS and the Disney Canon.
This past year, I got even more exposure to this movie, when I designed movie - worksheets based upon Disney's The Jungle Book and used them across 3 of my classes.  Between designing these worksheets, and playing them in 3 classes, I had the dialogue of The Jungle Book memorized backwards and forwards these past few months.  (I had no idea a new Jungle Book movie was about to hit the theaters when I did all this.)

...Oh, and also I read the original Rudyard Kipling book back when I was in 6th grade.  But the book has so little to do with the Disney movie that it's scarcely worth mentioning here.  (Walt Disney famously told his screenwriters not to read Rudyard Kipling's original book while they were making the movie.)  And I also saw the 1994 Jungle Book (W) and the 1942 (W) version.

Why I Saw this Movie / Thoughts Going into It
So I think we all had the same thought process regarding this movie, right?
Initially the reaction was, "WHAAAT?  A live-action remake of The Jungle Book that nobody asked for?  Curse you Disney Company!!!"

Followed by, "Oh, wait.  This thing is actually getting some pretty good reviews.  Maybe it's worth checking out after all."

Plus in my case the girlfriend wanted to see it, so it was inescapable for me.

The Negatives
* A problem this re-make inherits from its original source material: the story is largely episodic and lacks any kind of forward story-telling momentum.

* Related to the above point--is it just me, or was this movie a bit boring in parts?  I found myself really getting bored in the middle, and most of the rest of the people in my theater (including all the children) did as well.

* Another reason I think I got bored--because this was a remake, I knew exactly what the beats of the story would be, and there was no suspense.

* As amazing as the CGI was for all the background, it's just not quite there yet for many of the animals. Don't get me wrong, it's almost there.  In other 5 years we should be seeing some amazing stuff.  But....not quite yet.

The Positives
* Despite my complaining about the movie as a whole, there's no denying there were some pretty amazing scenes.  There was some real emotional intensity in some of the scenes (Shere Khan confronting the wolf pack, for example), and the beautifully rendered CGI jungle was great for a feeling of awe and mystique--like when Mowgli floated down the river into the fog, for example.

* Okay, so I've already complained about the CGI animals.  But the CGI everything else--the trees, the rivers, the rocks, the mud, the vines, the fire...that stuff was all amazingly real.  I would have had no idea it was all CGI if I hadn't read it on the Internet beforehand.  And even then, I was still having trouble believing it.

* Bill Murray

The Review
Hollywood loves remakes, but the biggest problem each remake faces is that it needs to justify its existence.  This movie did have some incredible scenes.  And some of these individual scenes were superior to their equivalent scenes in the original.  But I'm not sure the story as a whole was told any better here than it had been in 1967.

Bonus Section--Comparing the original to the remake

Bill Murray versus Phil Harris is a tough call.  I love Bill Murray. but Phil Harris's Baloo is just better.  Go watch the 1967 version again.  Phil Harris's Baloo is just bursting out with personality in a way that the 2016 Baloo never got to. (Admittedly that's partly because Phil Harris had more to work with in the 1967 version).

The scene in which Baloo has to tell Mowgli to go back to the man-village is also given much more motivation, and much more emotion, in the 1967 version.

I prefer Sebastian Cabot's version of Bagheera as well.  And I thought the interplay between Bagheera and Baloo was much better in the 1967 version.

(Although I did always feel cheated that Bagheera never faced off against Shere Khan in the 1967 version--I always thought it would be great to have a panther versus tiger fight. We finally did get this fight now in this 2016 version).

I absolute loved George Sanders as Shere Khan.  He was doing his classic George Sanders thing of the really posh upper-class English villain who was just oozing politeness and malice.

...But I have to admit that Idris Elba's Shere Khan is much more intimidating and frightening.

Also on the side of the 2016 version:
The 2016 version cuts out some of the dead scenes from the original (the elephant patrol, the second needless encounter with Kaa, the vultures).  And also cuts out some of the plot holes by coming up with a reason for Mowgli to be separated from Bagheera without Bagheera abandoning him twice (as in the 1967 version).
I also like that it gave Mowgli more of an agency by having Mowgli confront Shere Khan at the end, instead of just being hunted down by Shere Khan.

Other Observations
You know, I've always been skeptical of all those smug people on the Internet who said that "I Wanna be like You" was a racist song.  Okay, maybe with a little imagination, you could possibly read this as an allegory about race relations.  But you certainly don't have to.  Sometimes a cigar is just a cigar, and sometimes a singing monkey just represents a singing monkey, and nothing more.
But whether the criticism is valid or not, it's widespread enough that it's become an embarrassment for Disney at this point.  I was under the impression that the song was embarrassing enough for Disney that they wouldn't include it in future versions.  I have to admit, I was a little shocked that they included it here.

Final Verdict :
4 Stars (Despite several of the positives mentioned above, I didn't think this film improved enough on the original story to justify it's existence, and I found the middle pretty boring.)

Link of the Day
The GOP and the Christian Right

Wednesday, April 07, 2010

Kim by Rudyard Kipling

(Book Review)

Before I get into the meat of this review, a few words about the reasons it ended up on my reading list to begin with.

1). I had recently finished reading the biography of Captain Sir Richard Francis Burton by Edward Rice. In that book, Rice claims that Kipling based one of the characters in "Kim" off of Richard Burton. (I think, although I've left my copy back in Japan, that it was the character of Colonel Creighton.)

2). Also in reading Richard Burton's biography, I learned for the first time about the "Great Game" (W). This was something that had been left out of my scholastic education, but was the 19th century rivalry between Britain and Russia for influence and control of Afghanistan, played out by secret agents from both sides trying to obtain information and influence Afghanistan war lords.
The idea of a 19th Century version of cold war spy games is intriguing enough on its own (for those of us who are bitten by the history bug.) But the fact that our own army is currently stuck in the Afghanistan quagmire makes this historical period all the more relevant.

It turns out that the plot of "Kim" actually revolves around the "Great Game", and tells the story of a young boy sucked into the world of 19th century espionage in central Asia.

3). Third, and finally, Rudyard Kipling was one of those authors that I had enjoyed in childhood, and had always meant to someday return to.
When I was about 11 or 12, I read Kipling's "Jungle Books" series, and loved them. I also enjoyed Kipling's "Just So" stories.
And, if it's fair to count movies loosely based off of Kipling's works, "Gunga-Din" (W) was another childhood favorite of mine.

"Gunga-Din", filmed in 1939, had become politically incorrect long before I saw it. But when you're a kid watching movies on TV in the basement, no one tells you these things, and it shaped my childhood image of India as a gallant British soldiers bravely advancing the cause of civilization against the savage native Thuggees.

...Which brings me to the dark side of Kipling's legacy: the whole "White Man's Burden" thing--something I was blissfully ignorant of as a child, but something that is in inescapable in any adult review of Kipling's literature.

I'll try and dodge this controversy as much as I can by saying upfront I'm no expert.

A few years ago I was reading through a book of George Orwell's essays, and read his views on Kipling. The entire essay is on-line (link here) but if you can't be bothered to read the whole thing I'll summarize Orwell's thoughts:
"I know it's popular in leftist circles these days to call Kipling a fascist these days, but it's not true. He maybe an imperialist, a racist, a sadist, and a bad poet, but he's not a fascist."

And this kind of thing was the image of Kipling I've had as an adult.

Therefore I was pleasantly surprised in reading this book to find that it had a lot more sensitivity to India than I expected given Kipling's reputation. There are overtones of subtle racism throughout the book, but overall one gets the sense from Kipling that he loved India and he loved the people.

Which isn't surprising, considering he spent much of his life there, and was able to speak in Hindi before he could speak in English.

The plot of the book is really 3 fold. It's partly a road trip story, as Kim and a Tibetan lama search for a mystical river. It's partly a spy story, as Kim is trained in the Great Game, and must learn to outwit French and Russian spies.
And it's partly a coming of age story, as Kim grows from a child into a young man during the course of the book.

But all 3 of these plots are rather thin. Most of the beauty of this book is just in it's description of 19th Century India. And that is the real value of it.

As Orwell says, in the essay linked to above, "Tawdry and shallow though it is, Kipling's is the only literary picture that we possess of nineteenth-century Anglo-India."

And in the vivid characters, marketplaces, crowded trains, and landscape descriptions that Kipling includes in this book, you can really visualize it. It's a fascinating portrayal of 19th Century colonized India.

Which brings me to an important caveat: this book is heavy on descriptions, and light on story. Since I was expecting a rollicking spy story, this was something that jolted me a bit when I first started the book.
Once I realized what kind of book I was in for, however, and re-adjustment my expectations accordingly, I found it a fascinating read.

Second caveat: this isn't always an easy book to read. It's usually classified as children's literature but, apparently there's some debate about this.

As mentioned above, I read Kipling's "Jungle Books" and "Just So Stories" as a child. I remember approaching them with a bit of hesitation (as you always do as a child when preparing to tackle a Victorian era classic) and then being pleasantly surprised at how easy they were to read.

Kim was a bit more of a struggle. I'll quote another blogger who puts it better than I could:

I find this a curious book. First, as I mentioned previously, I sometimes find it hard to follow. Sometimes there will be a conversation, and I'll think "Woah...is it the whiskey or do I just have no idea what these people are trying to say to one another". Then I'll realize I haven't even had any whiskey. And then, a page or two later, everything is clear again. Not sure if this is due to Kipling's style, or whether it's just ADD kicking in. Regardless. it's disconcerting. Then there's the problem of a lot of vernacular in the book. There are a bunch of different types of people, English (white), Hindus, Muslims, Buddhists, and each of them seems to have their own nickname...pahari, faquir, sahib, pathan, etc. While exotic and colorful, it's also hard to follow. An annotated version of this book would be an excellent help. There's also the issue of politics...just who is spying on who in "The Great Game"? We all know Britain ruled India in the 1800s, but who were they spying on? We get some clues...rebellious kings, Russians, but the historical background is unknown to me.

(By the way, the above quote comes from "Blogging the Canon", a blog I stumbled upon while doing research for this review, and which I found to be very interesting. Check it out if you have time.)

To me, in the end the rewards of the book were worth the struggle. But this is something every reader will have to decide for themselves.

*One final note: apparently the great Edward Said has written extensively on "Kim", and the subtle themes of Imperialism in the book. Unfortunately I haven't been able to track down a complete copy of his essay online, so I can't really recommend it. But I'm sure given Said's expertise in this area that he would tackle some of the thorny issues in Kipling's legacy much better than I could.

Link of the Day
Noam Chomsky - Crime and punishment in America

Kim by Rudyard Kipling: Book Review (Scripted)