Showing posts with label audiobooks. Show all posts
Showing posts with label audiobooks. Show all posts

Sunday, May 17, 2026

The Princess and the Goblin by George MacDonald read by Tamaryn Payne: Review



Started: April 26, 2026




Friday, April 03, 2026

The Brothers Karamazov: The Original Manuscript by Fyodor Dostoyevsky Narrated by Geoffrey Giuliano & The Bell: Review


As I mention in the video, although the translator is not given, it appears to be the  Constance Garnett version.






This version is very similar to the librivox version by Bruce Pirie.  If you want to check out that version, see here: https://librivox.org/brothers-karamazov-v3-by-fyodor-dostoyevsky/

I mentioned in the video that stories of children being tortured in the Vietnamese media would remind me of the conversation between Ivan and Alyosha.  Here is one example: https://joelswagman.blogspot.com/2022/01/vnexpress-didnt-want-to-raise-her-man.html

Related Playlists:





Thursday, February 19, 2026

New Audiobook Project

Index

I've gone through several different opinions on audiobooks over the years.  When I first started my book reviewing project, many of the books I reviewed were audiobooks.  (e.g. In 2006, a full 3rd of my reading list was audiobooks.)
I've gradually moved away from audiobooks over the years for a number of reasons.  Partly for lack of access.  (When I was living abroad, I couldn't get free audiobooks from the public library).  Partly because I worried I wasn't absorbing audiobooks as fully as I did when I was reading words off the page.  And partly because I discovered the wonderful world of podcasts, and podcasts quickly took over my listening time.
So, for the past 10 years or so, I've only been listening to podcasts, and haven't been doing any audiobooks.
The past few months, however, I've begun rethinking my relationship to audiobooks.  Partly this is the influence of booktube--there's an ever present debate on booktube over whether audiobooks constitute "real reading", and so people are always making videos on the subject of audiobooks.  Some of these videos have been praising audiobooks, and mentioning who a talented voice actor on an audiobook can help to bring the book to life.  It reminded me of how much I used to enjoy a good audiobook.  
I also within the last year caught an NPR program talking about audiobook narrators and their craft, and it also made me think it was time to start revisiting audiobooks.

And yet, I still do worry that when I listen to an audiobook, I might get distracted and miss stuff.

So, I've decided a good compromise is to enfold audiobooks into my rereading project.  
The idea is partly stolen from booktuber Dane Cobain who once mentioned to me that he only does audiobooks for rereads.

So, here are the rules:
* I can only do audiobooks for books I've already read and reviewed on this blog.  (If I haven't read a book since high school, then I'll need to physically reread it once first before I can do it as an audiobook.)
* For books that I've reviewed on this blog as audiobook, I'll need to read them first physically, before they are eligible to do again as an audiobook.  
* The goal will be to listen to each audiobook twice before I review it.  But in cases where I can only get through it once before it's due back at the library, I'll be flexible with myself on this.
* I'm going to try to alternate audiobooks with my podcasts.  However, because most podcasts are much longer than most audiobooks, I'll do 2 audiobooks in between every podcast.  (i.e. podcast, audiobook, audiobook, podcast, etc.)  All of this is contingent on my having continued access to free audiobooks.  (i.e. If for some reason I lose access to audiobooks at the public library, then I'll just go back to only podcasts.)
* As a general rule of thumb, I'll try to wait 5 years between when I read a book, and when I revisit it on audiobook.  (The book needs a little bit of time to fade in my memory before I revisit it, otherwise what's the point of revisiting it?)  Exceptions can be made to this if I have a good reason--e.g. if the book ties into a current reading project.
* Back in 2023, I announced that I would do video reviews for the first time I read a book, and a written review for the second time I read a book.  But for the purposes of determining written review status, audiobooks won't count--i.e. I still have to physically read a book twice in order to qualify it for a written review.
* As I complete audiobook rereads, I'll review them, and then index those reviews at the top of this post.

Video version of this post here:  

 New Audiobook Project (and my rambling thoughts on audiobooks in general)


Playlist HERE


Addendum:
Here are the books that I've already reviewed on this blog that I did only as audiobooks.  (These were obviously before I created these new rules for myself.)  I may try to make it a reading project to go through and actually read some of these books properly--the classics in this list, at any rate.  But as always, reading time is limited, so we'll see how many I can get around to.

* Crime and Punishment by Fyodor Dostoevsky January 26, 2006 
* All Quiet On the Western Front by Erich Maria Remarque January 28, 2006
* A Series of Unfortunate Events: Book 1 A very Bad Beginning By Lemony Snicket February 23, 2006
* Tristram Shandy (abridged) by Laurence Sterne March 24, 2006
* In Search of British Heroes by Tony Robinson April 3, 2006
* Harry Potter And the Goblet of Fire By J.K. Rowling April 10, 2006
* The Notebook By Nicholas Sparks April 11, 2006
* Harry Potter and the Order of the Phoenix by J.K. Rowling April 16, 2006
* Harry Potter and the Half Blood Prince by J.K. Rowling April 27, 2006
* Babbit by Sinclair Lewis June 11, 2006
* Seek My Face by John Updike June 19, 2006
* Invasion of the Body Snatchers by Jack Finney July 2, 2006
* Pudd’nhead Wilson by Mark Twain July 7, 2006
* For Whom the Bell Tolls by Ernest Hemingway July 12, 2006
* The Fountainhead by Ayn Rand August 7, 2006
* Thief of Time by Terry Pratchett August 23, 2006 
* Alice's Adventures in Wonderland by Lewis Carroll April 21, 2011--although this one I already reread as a physical book on October 15, 2021
* A Very Short History of the World by Geoffrey Blainey November 20, 2014
* I Drink for a Reason by David Cross August 31, 2016

Monday, March 02, 2020

This made me laugh, so I thought I would share it.  Hopefully someone else will get a chuckle out of it.
After having abandoned Don Quixote for several months, I've been trying to pick it up again.  (I've only got about 200 pages to the end.  I will finish this book.  I will.)
Because it's been over 2 years since I started this book, I'm beginning to forget what was in the beginning.  So I've been listening to the audiobook on Youtube to try to review what happened in the earlier part of the book.
The audiobok is available freely on Youtube by Librivox recording.
If you're familiar with Librivox, you know that they make free audiobooks of books that are in the public domain with volunteer readers.
I remember when I first discovered Librivox years ago.  Free audio books on the Internet?  That seemed like the greatest thing ever.  I love free audiobooks.
But then after 2 minutes of listening to Librivox, it was suddenly obvious why Librivox could never replace commercial audiobooks, and also equally obvious that there's a reason why commercial audiobooks use professional voice actors.  The average person just can't read outloud in a way that is engaging to listen to.
Well, you can't blame the good people at Librivox for trying.  They're just ordinary volunteers doing their best, and they're putting it all for free on the Internet.

...oh wait!  This is the Internet, where everyone feels like the act of clicking on content entitles them to something, and if you're not giving them professional quality content for free, then you are are the worst person ever.



And many other comments of the same type.  See also many other comments of the same type on part 1.

Really, what can you do but laugh?

Tuesday, November 22, 2016

Death Throes of the Republic by Dan Carlin--Review of a Podcast

(Review of a Podcast)

A few weeks ago a co-worker came in talking excitedly about Dan Carlin's series on the Persian Empire.

I had never heard of Dan Carlin before, but I've always been interested in ancient history, so I engaged in the conversation, and pretty soon we were trading recommendations.

At the time, I was watching the Gracchi Brothers series by Extra History (see my review here), so I mentioned that.

"Oh, right Dan Carlin's got an episode on the Gracchi brothers too," my co-worker said.  "In fact he's got a whole series on the end of the Roman Republic."
(The class conflict surrounding the reforms of the Gracchi Brothers are generally looked at as the beginning of end of the Roman Republic).

"I would love to hear that," I said.  "That's one of my favorite periods of history."

"I'll lend you a copy," my friend said.

And so, here I am, reviewing it.

Where Can I Find It?
I was lucky because my co-worker lent me his copy.  But unfortunately, this series is not freely available on-line.

To listen to it legally, you have to go to Dan Carlin's website and pay $9.99 [LINK HERE].  In my opinion--totally worth it.

If you want to get a taste for Dan Carlin before you make the purchase, some of Dan Carlin's other stuff is freely available on Youtube.   His channel is here.  In addition to the Death Throes of the Republic, I have personally listened to (and found absolutely fascinating) Prophets of Doom [LINK HERE] and American Peril [LINK HERE].

Who is This Dan Carlin Guy Anyway?
I had never heard of this Dan Carlin guy before my co-worker started raving about this podcasts.  But since I've gotten hooked, I've been asking around with other history geeks, and it seems like everyone else has heard of this guy but me.  So I guess I'm just out of touch.

He's not a professional historian--he's a broadcaster by trade.  But he's obviously a huge history nerd (You can really hear his love for the subject material come through in the podcasts) and he and his team do their research.

He's got an A.M. radio type voice.  His voice, tone, and cadence all remind me of Rush Limbaugh.  (I'm speaking only of his voice here.  None of his politics resemble Rush's).

He's primarily a narrative history story teller, which I like, but his podcasts aren't always exactly like a novel.  Rather, here again is more of the style and format of an A.M. radio DJ. He sounds like a talk show radio host who is giving out the daily news.  He tells a bit of the story, then he stops to comment on its importance, or to say why he thinks it's remarkable.

If you're a history nerd, you'll eat this stuff up.  Trust me, give it a listen.

Why I'm Interested in this Period of History
In addition to Dan Carlin's natural talents as a story-teller, I really love this period of history, so I was predisposed to like the podcast before I even started it.

I've been interested in ancient history since I was a boy.
Most boys are interested in ancient history if they're interested in history at all.  I'm not sure why.  I guess because it's old enough that it has an air of mystery to it.  It has tons of drama and battles and violence.  And it raises some interesting questions about human nature.  (Were these barbaric peoples really from the same race of humans as us?)

The last 100 years of the Roman Republic has all those elements, but it's also surprisingly, eerily, modern.  And so I've been able to maintain my fascination with it even as my interests have changed.

As I wrote before, the political quarrels of the end of the Roman Republic--the radical populist reformers versus the aristocratic conservatives--are similar to the politics of modern history.

Add to this that the end of the Roman Republic is one of the most documented periods of ancient history.  For much of ancient history, historians are only reliant on one single source, but there were numerous ancient historians writing about the end of Roman Republic.  (This is something Dan Carlin brings up in his podcasts.  He mentions the numerous sources make it possible to speculate about a lot more things.)  We even have private correspondence preserved from this period.  (The gossipy letters of Cicero, which Dan Carlin will occasionally make use of to tell his story.)

All of this, plus I have nostalgia for this period because I was hooked at a young age by Colleen McCullough's epic Masters of Rome - series which covers this same period.   (Most of my knowledge of this period still comes from Colleen McCullough's historical fiction, so I occasionally like to double check this knowledge against more fact based history format.)

The Review
Going into this series, I was slightly worried Dan Carlin wouldn't do it justice.  (It's apparent from looking at his body of work that he covers way too many diverse time periods to expect him to be an expert in all of them.)
But I was pleasantly surprised to find out that he does this complete justice.  He and his team have obviously done their research, and he really dives straight in, and gets into a lot of the juicy details that we history nerds love.
It's not exhaustive by any means.  History nerds will be able to pick out lots of stuff that Dan Carlin leaves out.  (One example of many--the Sertorian War (W) is completely omitted).  But then it would be impossible to be exhaustive.  Dan Carlin is covering a period of 150 years of history, and on top of that it's the most well-documented period of ancient history.  No one could do an exhaustive history.

But despite this, it feels like it's a complete story when you're listening to it, because when Dan Carlin does choose to focus in on an event, he has a keen knack for lingering on all the little details of a scene that make the story seem real.

The first several episodes are about an hour and a half each.
Dan Carlin spent so much time on the Gracchi Brothers and the age of Marius and Sulla, that we were 5 episodes in before we even reach the age of Julius Caesar.
When I got to the end of the penultimate episode, and realized there was only one episode left to go before the series ended, I thought, "there's no way he's going to finish everything in one last episode."  But then the final episode turned out to be about 6 hours long.
By the final episode, Dan Carlin is expressing a desire to just get the story wrapped up so he can move onto something else--which is why he says he does one long final episode instead of continuing with several more smaller episodes.  And yet, the final episode still doesn't feel rushed at all.  Dan Carlin still takes time out to linger on the details--for example he devotes roughly 20 minutes to talking about Clodius's generation and what appears to be a beatnik/bohemian generation popping up in ancient Rome.

The only point where the story does feel rushed is that Dan Carlin doesn't really have much interest in anything that happens after Julius Caesar died.  He tends to view Caesar's assassination as the end of the story, and everything that happened afterwards is just quickly summarized.
In reality, everything that happened between the death of Julius Caesar and the final end of the republic under Emperor Augustus could probably have filled another 5 hours easily.  But Dan Carlin just quickly summarizes all that as if it was just an afterthought.
I've seen some people complain about this on Goodreads (see here).  Personally I don't mind too much, because, like Dan Carlin, I find the most interesting part of this history is the period leading up to Caesar's dictatorship.  But anyone who is hoping to get information about the age of Octavian or Antony and Cleopatra should be forewarned ahead of time.

In addition to the story telling, Dan Carlin's commentary on this period is very interesting as well.

There are a lot of different ways you can frame this period of history, but Dan Carlin seems to share my interests because he focuses on the class war aspect of the story.
Not exclusively.  He has a good story-teller's love of the digression, so he allows himself to get sidetracked by other things (like some of the juicy scandals going on in this period.)

But mainly he presents the story in almost Marxist terms as a series of popular reformers who, one after the other, challenge the power of the Senate oligarchy.

First there were the Gracchi Brothers.  The Senate killed them.  Then there was Saturninus.  The Senate killed him.  Then Marcus Livius Drusus.  The Senate killed him.
Then came the period of the Civil Wars, in which the populist reformers like Gaius Marius, Sulpicius, and Cinna fought against Sulla and the oligarchs, and ultimately lost.
And then finally came the last populist reformer: Julius Caesar.
(I'm drastically oversimplifying the story.  Go listen to the podcast for the full version.)

Dan Carlin uses modern political vocabulary to describe these struggles, calling the populist reformers: radicals, liberals revolutionaries, and sometimes even proto-Marxists and socialists.   The Senate oligarchy is described as conservative and aristocratic.

My old Latin professor would have been horrified at this modern use of vocabulary--he believed that modern political ideas about equality did not exist in the ancient world.

But I rather like it.  It may be anachronistic, but it makes the period a lot more modern and relateable.  (And besides, I'm not 100% sure my old Latin professor was right anyway.)

There are two ways of viewing these populist reformers.  One way is to view them as genuine idealists, the other way is to view them like opportunistic populists.  Different historians present different views of these populists, and Dan Carlin does an expert job of exploring the ambiguity.  He suggests possible comparisons on one hand with Gandhi and Martin Luther King on the idealist side, but also with Huey Long on the opportunistic side.
Or, he says, it could be a combination of both.  They could have been extremely ambitious, but also believed they were doing what was best for their country.

And then we get to Julius Caesar.
Julius Caesar is best remembered for being a tyrant, but there are again two different ways to view his legacy.  As Dan Carlin reminds us, Caesar was from a populare family, and as a young man publically embraced the populare legacy at a time when it was dangerous to do so.  ("populare" is the ancient Latin term for the populist faction, a term which Dan Carlin also frequently makes use of.)
Caesar was dictatorial and often resorted to extra-constitutional measures to get his populist laws passed, but Dan Carlin suggests that this may be because all the previous populare reformers were murdered.  So when Caesar allies himself with Pompey and Crassus and forms the first triumvirate, Dan Carlin suggests this extreme show of force might have been a defensive act to prevent the usual fate of populare reformers.

When Caesar became dictator, he continued populare reforms, leading Dan Carlin to speculate that this may have been a dictatorship from the Left.  (At one point Dan Carlin uses the anachronistic term "dictatorship of the proletariat").
It's all interesting speculation, but Dan Carlin keeps things balanced by including the other side as well, and quoting some historians, such as H.G. Wells, who thought Caesar was just a tyrant and a thug.

Tastes and interests may vary, of course, but I found this attempt to view the ancient world through the lens of modern politics all very fascinating.

The other thing that I've always thought was very interesting, and which Dan Carlin also picks up on, is Clodius Pulcher and the appearance of what Dan Carlin calls the "cool crowd" in ancient Rome.
This is something I also have always found interesting.  (I first picked up on this from Colleen McCullough's historical fiction--she also paints a colorful picture of Clodius and his young aristocratic followers, although she presents them more as degenerates than romantics.)
Once again, Dan Carlin uses anachronistic terms to describes Clodius and the "cool crowd".  This would probably also have horrified my old Latin professor--but it makes the history seem a lot more real and relateable.  Dan Carlin talks about a "generation gap" in ancient Rome, and uses the terms "beatniks"  "bohemians" and "counter-culture movement".

I found it all quite fascinating, but I do have one nitpick.
Dan Carlin claims that the this kind of beatnik romantic movement was very rare in the ancient world, and because of this, it took until the 20th century before historians realized what was going on.  Dan Carlin claims Will Durant, writing in the 1940s, was the first historian to recognize Clodius's crowd as a counter-culture movement, whereas earlier historians writing in the 1800s couldn't recognize it because they had nothing to compare it with.
I think this over-exaggerates somewhat. There were other counter-culture movements in history.  For example just off the top of my head, there was the Romantic Movement in England in the 1790s, with  counter-culture poets like Shelley, Byron, and Coleridge.

Various Links and Other Connections

As mentioned above, my main point of connection with this period is Colleen McCulloughs' Masters of Rome series.

The first 4 books in that series I read in my youth and were not reviewed on this blog.
But the 5th book, Caesar, is here, and the 6th book  October Horse, is here.

It's a masterful series, but there are some gaps in it.  For example, Colleen McCullough starts with the rise of Gaius Marius, so she completely skips the whole story of the Gracchi Brothers.
Also, each book in the series jumps ahead a few years, so some stuff gets skipped over.  For example, the period of Cinna's dictatorship period in Rome and then Cinna's assassination gets completely skipped over.  (It occurs in the time gap  between the 2nd and the 3rd book in the series.)
For this reason, I was glad that Dan Carlin actually spent a lot of time talking about Cinna's dictatorship.  It filled in a gap in my knowledge.

But that being said, the parts of the history that Colleen McCullough did cover are forever seared into my memory.  A lot of the events that Dan Carlin talks about, like Saturninus, or the assassination of  Marcus Livius Drusus, are events I remember vividly from Colleen McCullough's books.

Politically, Colleen McCullough presents a history that's biased in favor of the populare faction, and she's very pro-Caesar.
Dan Carlin toys with the idea that Caesar didn't really want to end the republic, he just wanted to be the populare version of Sulla--i.e. he wanted to fix the problems with the government, and then once all his reforms were in place, he eventually planned to step down.  Colleen McCullough explicitly endorses this view in her fiction.

On the other side of the political aisle, for a much more cynical view of Caesar and the populares, see Robert Harris's historical fiction trilogy on the life of Cicero. I've so far reviewed Imperium and Conspirita.

Moving away from historical fiction, a good narrative history book on this period is Rubicon by Tom Holland.
Dan Carlin is apparently also a fan of Tom Holland, because he quotes from this book frequently during his podcast.

Moving over to my other blog: Papers I Wrote:

Like Dan Carlin, I found Clodius to be one of the most fascinating figures in the whole story, and so I wrote one of my University papers on him here.

And I wrote a high school paper on the Catiline Conspiracy in which I was heavily influenced by Lester Hutchinson, who argued that Cicero's charges against Catiline were so ridiculous they couldn't possible be true.  Dan Carlin takes a similar skeptical view when discussing the Catiline Conspiracy.

Also, I've mentioned these above, but for some fascinating youtube videos on this period see the Extra History series on the Gracchi Brothers (here) and the videos of Historia Civilis (here).

Link of the Day
Noam chomsky on freedom of speech and Anti - fascism

Wednesday, August 31, 2016

I Drink for a Reason by David Cross

(Book Review)

Why did I read this book?  Well, by accident mostly.  At least as far as such a thing is possible.

Let me back up and give my history with David Cross first.

My friend Monika was a big David Cross fan, and she tried to turn me onto him back in 2004.

Actually David Cross was already sort of a recognizable face back in 2004, so I did already have a vague idea of who he was.  I had seen him in Men in Black, The Cable Guy, and Scary Movie 2.  And I think I must have seen some clips of him on Comedy Central.  But I was never a big fan.

Monika really loved David Cross's political comedy.  In an effort to get me into him, she played part of one of David Cross's sets where he was making fun of Bush.

We had a good laugh at it, but in the very next bit David Cross was talking about lowering the age of consent because he should be able to sleep with teenage girls.  Monika got so offended by it that she turned the video off.

Interestingly enough, though, this didn't dampen her enthusiasm for David Cross.  In fact, she had known that bit was coming, because she had already listened to the whole video.  She had just learned to accept that David Cross was a man who could be outrageously funny one minute, and outrageously offensive the next minute, and that you could be a fan of his, but still turn him off when his jokes got to be too off-color.

Despite Monika's best efforts, I never became a huge David Cross fan--not because I disliked him particularly, but just because I got distracted by other things.  But he's always been vaguely on my radar since then, and I also thought he was one of the funniest things about Arrested Development.

So, why did I end up reading his book?
Well, I spend more hours each day than I care to admit mindlessly clicking through videos on Youtube.

It's not supposed to be like this, mind you.  Supposedly I'm only supposed to put on podcasts that are good for my professional development (like TEFLology) or that will improve my mind (like The Yale Open Courses series).  But unfortunately my attention span and lack of will power keeps thwarting my ambitions.  In the morning I'm too tired to concentrate on anything, so I watch junk on Youtube.  In the afternoon, if I'm lucky, I'll get in a few hours of listening to something productive.  But in the evening, my will power has broken down again, and I'll go back to watching junk on Youtube.

Youtube's algorithm keeps recommending videos for me, and I suppose since I watch a lot of political comedy, David Cross's video on Republicans popped up the other day.

If you haven't seen the clip yet, it's brilliant.



I mean, the part about how the Republican Party is diametrically opposed to everything the Statue of Liberty stands for is so true.
And also that part about Ayn Rand being a complete hypocrite is also true--Ayn Rand really did receive Social Security payments and Medicare, despite having spent her whole life condemning other people for taking these same benefits.  (Something we've noted before on this blog here, here, and here).

Hungry for more, I started clicking on the other David Cross videos that Youtube was recommending for me.

Comedians are always hit and miss.  I've never yet come across any comedian who was always funny all the time.
But when David Cross is on, he can be really on.
The bit in Passion of the Cross about soldiers having to pray for Bush I thought was also brilliant.



The piece is a bit dated now, but apparently during the George W. Bush years, George Bush requested that the soldiers in Iraq pray for him, and a Christian group distributed pledge cards that the soldiers could mail in to demonstrate that they were actually praying for George Bush.
David Cross, in a hilarious bit, (seriously, go listen to the clip) demonstrates how absurd this whole thing is by imagining a frightened 18 year-old soldier in a war zone trying to finish a prayer in which he prays that God will give Bush strength to finish his lobster salad, and also find the courage to cut $14.4 billion dollars out of the veteran's budget.

This was brilliant stuff.  Satire at it's finest.

I continued listening to part 2 of the video.  And then got so worried about how sacrilegious it was, that I turned it off.

As an agnostic, I'm not entirely sure there's really a God out there, but I can't rule it out entirely.  And if there really is a God, then there's probably no sense in making him angry unnecessarily.  I mean, why risk it, right?

I don't mind making fun of organized religion, because I figure God probably hates those hypocrites just as much as I do.
And I tend to agree with Thomas Paine--that if there really is an all loving God out there, then he's probably just as upset about his portrayal in the Bible as we are.*  So making fun of the God's portrayal in the Bible is okay.

But David Cross's tactic--actively making fun of God, and ascribing sexual perversions to God--it just made me nervous.
I don't know--maybe there isn't a God out there, and I'm just being overly cautious, but why take the risk?  I turned it off anyway.

All of this was, of course, the exact same way of listening to David Cross that Monika had demonstrated for me way back in 2004.  Laugh at the good parts, turn it off when it gets too offensive, and then repeat cycle.

Anyway, next I found myself clicking on the youtube version of the audio book of I Drink for a Reason.



Most likely this was uploaded in violation of the wishes of the copyright holder, but then 90% of the stuff I listen to on youtube falls under this category, so it doesn't even phase me anymore.

I never intended to listen to this audio book all the way through.  I thought I'd just listen to 10 minutes of it, and then turn it off and finally stop procrastinating and start being productive.  But then 10 minutes turned into 20 minutes, and 20 minutes turned into an hour, and before I knew it, I was half way through the book already.  And then I had finished it.

And then, once I had finished the book, I remembered that I had this book review project on my blog, where I was committed to reviewing every book I read (including audio books).  Which meant that according to my own rules, I now had to review this book, even though I didn't even really intend to read** it.

I don't really have a lot to say about this book, so this will be a very short review.  (Or at least it should have been, if I hadn't already wasted 1,000 words just describing how I ended up reviewing this book in the first place).

The last book by a Comedian that I reviewed on this blog was Rock This by Chris Rock.***    In my mini-review of Rock This, I said that Chris Rock's book  "...can’t really be reviewed. The only comment one can make is whether it is funny or not."

I've got the same attitude towards this book.  Some parts of it worked, and were really funny.  And other parts of it didn't quite work for me, and weren't quite so funny, and that's really all I've got to say.****

Some of the bits were quite funny.  Also some of David Cross's Hollywood stories were interesting.  (His beef with Larry the Cable Guy, and his beef with Jim Belushi, were both interesting, just for the cheap drama of hearing famous people complain about other famous people).

And the best thing--I absolutely loved the ongoing joke about this being a self-aware audio book.  That was brilliant.
Most audio books will try to reproduce the original book reading experience as faithfully as possible, but David Cross and his recording team have a lot of fun with commenting on the nature of an audio book.
It starts at the beginning, where H. Jon Benjamin (of Archer and Bob's Burgers fame) is reading the book instead of David Cross, only to be interrupted by David Cross, and then the two of them get into an argument about who should read the book, and who is going to get paid for reading the book.

David Cross takes over reading the book, but he will frequently interrupt himself to clarify his meaning for the audiobook.  "As I'm writing these words...actually I'm not writing these words now, I'm reading them.  But I'm reading what I wrote before when I was writing them.  See, I wouldn't have to clarify this if you had just bought the original book."******
In fact David Cross will frequently interrupt himself to berate the reader for listening to the book on audio.  "I don't understand why you just didn't buy the actual book," he says at one point.  "I think it's lazy, and I think it's rude."

This, and many other comments like it, are some of the best riffing on the audio book experience I've heard.

Footnotes:
* Paine's actual words:
What can be greater blasphemy than to ascribe the wickedness of man to the orders of the Almighty?” (From Part II of The Age of Reason)
Had the cruel and murderous orders with which the Bible is filled, and the numberless torturing executions of men, women and children, in consequence of those orders, been ascribed to some friend whose memory you revered, you would have glowed with satisfaction at detecting the falsehood of the charge, and gloried in defending his injured name.  Is it because ye [priests] are sunk in the cruelty of superstition, or feel no interest in the honor of your Creator, that ye listen to the horrid tales of the Bible, or hear them with callous indifference.” (Later in Part II of The Age of Reason)

** For stylistic simplicity, I'm using "read" here to refer to the act of completing an audio book, even though, as we all know, it's really more of a listening activity.  But it sounds weird to say "listened a book".

***I'm not counting Al Franken, because I think his book he's more of a political satirist than someone known for his stand up acts.

****Besides which, if I'm being perfectly honest, I didn't listen to this book closely enough to give it a detailed review.  As I mentioned before, I've decided that I need to listen to an audio book multiple times now in order to count it as fully read.  But I'm not going to bother listening to this book more than once.  It was mildly interesting, but I'm not going to make a study out of it.

******All quotes paraphrased, of course, because it's an audiobook and I don't have the text in front of me.

Link of the Day
Noam Chomsky 2016 Interview - Noam Chomsky and Kade Crockford Discuss Terrorism and Civil Liberties

Thursday, November 20, 2014

A Very Short History of the World by Geoffrey Blainey



Why I Read This Book
          I’m curious, does anyone actually enjoy these short history of the world books?  People who like history, people like me, tend to hate these books because we want to read about all the juicy interesting details that a book like this must inevitably leave out.  And as for people who don’t like history….well, they would hate this book by definition, wouldn’t they?
            But most of us eventually read a book like this because we feel like we should.  And indeed, although they’re not always fun to read, books like this do perform a useful function.  There’s simply too much history for all of us to become experts in everything, and at a certain point we have to resort to summary books like this to fill in the gaps in our knowledge.  (In my own case, for example, I know very little of the history of Europe in the period directly after the fall of the Roman Empire, and I know virtually nothing about the history of India, China and really all of Asia before the 19th Century.)
            So a book like this is useful for filling in the gaps in my knowledge.  Even if it doesn’t go into any details, it still would (hopefully) give me a rough idea of what was happening.
           
            But the real reason I picked this book up was because it was available on audio book. A real book requires some time commitment to sit down and read it, but an audio book can just be casually put on while I’m exercising or cleaning or doing some sort of other mindless task, and therefore I tend to listen to a lot of books on audio that I might never - have - read - in - print.

Background Information
          Although I’m just getting around to it now, this was an audio book I discovered 4 years ago when I was living in Australia.  The University library had a number of audio books on CD available for loan.  I copied several of them onto my computer, with the intention of getting around to them later.
            Some of these audio books I listened to and reviewed, like Turn Right at Istanbul by Tony Wright, and The Butterfly in Amber by Kate Forsyth , were, I believe, titles and authors not widely known outside of Australia.
            So it is with this one.  People on the Internet describe the author, Geoffrey Blainey, as the most famous historian inside of Australia, but to the best of my knowledge he’s not widely known outside the country.
            The frequent references to Australia and comparisons to Australian geography in this book, indicate that it’s intended for an Australian audience.  (Although, I don’t know, possibly there’s an international version which reads slightly different?)
            The book was originally published as A Short History of the World in 2000.  It was abridged as A Very Short History of the World in 2007.  The audio book that I listened to is yet a further abridgement—so it’s an abridged version of the abridged version of a book specifically calling itself a Short History of the world.  With a pedigree like that, I suppose I shouldn’t complain that the book seldom goes into details.

The Review
          Perhaps I would be harder on this book if I had read the print version, but there’s very little to complain of in an audio book.  I learned very little from it, and the author spent most of his time talking in generalities (some of them very questionable), but so what?  The book was mildly entertaining, and it kept my brain occupied for several hours while I caught up on various chores.  I’d say the book performed its function.

            It is, of course, almost impossible to write a truly engaging short history of the world.  There’s no time to get into the details and personalities that make history interesting, and a summary history, the impersonal story of faceless empires just rising and falling, is bound to be boring.

            To his credit, Geoffrey Blainey tries to alleviate this problem somewhat by occasionally slowing the pace down somewhat and lingering a little bit over the biographical portraits of some of the important historical figures.  But the majority of his book still has to be broad sweeping statements.

            History textbooks of previous generations were famous for trying to overload children with the names of too many kings and battles and dates.  Since then, the trend has been to focus more on how people in each age of history actually lived—what the common people ate, and what sort of clothes they wore, and what they did to earn a living.
            Geoffrey Blainey follows this trend, and this history is mostly a social history of the common man. 
            But as a history nerd, I almost go in more for the stories of kings and battles than I do for the descriptions of what people ate 300 years ago.  By the time I was finished with this book, I was sick of hearing about how people’s diet had changed yet again with the opening of new trade or the discovery of a new technology.  I think I would almost have preferred to have been overloaded with names and dates and battles in the old-school history textbook style.
            But that’s just my personal preference.  Doubtless some people will find Geoffrey Blainey’s approach preferable.

            The other big emphasis in the book is religion.  (In his introduction, Geoffrey Blainey highlighted how important he views religion is given how much impact it has had, and continues to have, on human lives).  Of the few times when Geoffrey Blainey breaks away from his broad view and goes into a biographical portrait, almost all of them are about religious figures: Jesus, Mohammed, Confucius*, Buddha, Martin Luther and John Calvin.  (If memory serves, Hinduism gets a bit overlooked, probably because there’s no one biographical story associated with it.)  Near the end of the book, Geoffrey Blainey notes how human society has moved from an intensely religious outlook to a post-religious outlook, and tries to suggest the reasons for this.  (This is perhaps another area where the book shows its Australian outlook.  Although Australia, England and much of Europe has entered a post-religious age, this is not true of all areas of the world, and certainly not true of the United States.)

            Another re-occuring theme throughout the book is globalization.  (It’s a theme that gets perhaps hit a few times too often, as Geoffrey Blainey keeps needing to tell the reader how each historical age was more globally interconnected than the one before it.)  The book ends with musings on how interconnected human society now is, and suggests that now for the first time in history, a world government may be possible.

            Reading this book in 2014, the ending seems to miss the mark somewhat.  As we are on the brink of an ecological catastrophe, the big question for the future now seems to be whether human society can adopt to the rising temperatures and mass extinctions.  But when the first edition of this book was published back in 2000, global warming and overpopulation were not as much in the news as they are now.

Nitpicks
          I caught a few factual mistakes in this book.  Some of them, to be fair, quite minor.  For example. James became the head of the Christian Church after Jesus died, not Peter as Geoffrey Blainey claims.  And Angkor Wat was originally built as a Hindu temple, not Buddhist.
            There are also all sorts of nitpicks you could make about interpretations of historical documents.  Geoffrey Blainey at times takes ancient documents too literally, not seeming to realize that ancient Greek and Roman historians often inflated their numbers.  Also he at times takes ancient religious documents too literally, reporting on the Exodus from Egypt as if it were an historical event.  (In fact modern archeology has cast significant doubt on the story of the Exodus and the conquest of Canaan)  The myth of Buddha is also reported as if it were real history.  Some of this may be because a short book like this doesn’t have time to get into questioning the established narrative. 

            Then there were any number of value statements or interpretive statements I disagreed with.  (Geoffrey Blainey says that the United States did much to spread democracy in the 20th century, but in fact the record is a bit mixed.  Although the United States encouraged democracy in some parts of the world, it overthrew democratic governments in other parts.)

            I’ve only listed a few example above, but there was a lot more that I disagreed with in this book.  I was constantly listening to this book and thinking to myself, “No, that’s not quite right.” 
            In the past, I’ve tried to make exhaustive lists of everything I’ve disagreed with in certain - books, but I’m not going to do that here.  Partly because details are bound to get fudged and oversimplified in a short history of the world, and partly because this was an audio book, and all of the words were just floating in the air and difficult for me to quote and reference them exactly.
            I’ll just say that I disagreed with much of the interpretations in this book, and leave it at that.

Footnotes
* (I know Confucius isn’t technically a religious figure, but his philosophy has inspired a religious-like devotion in many parts of the world, which I imagine is why Geoffrey Blainey includes him on this list.)

Link of the Day