It's funny--there are people out there who will try and convince me that (contrary to my own experience) the Christian Church is not obsessed with sex.
You'd never know it from this election cycle.
First, there was the uproar over the contraception issue.
Which resulted in Limbaugh's infamous comments over a female law school student who had the nerve to ask to be insured for contraception.
Now Santorum is crusading against pornography.
(Santorum himself, before becoming a long shot presidential candidate, was most famous for his opposition to gay marriage that first made him a darling of the religious right.)
Okay, so Limbaugh isn't the appointed spokesperson of any organized religion. But you can't tell me it's the secularists who are supporting this type of view.
And maybe the religious right doesn't represent the values of all Christians everywhere. But the inescapable conclusion of this election cycle is that they represent a significant number of Christians. And they vote. And they have no qualms about forcing their narrow view of morality onto the public at large.
And yet, when I try and explain to Christians how the Church is obsessed with sex to the point of myopia on all other issues, they look at me with a hurt expression and say, "Where did you ever get that impression?"
And so now we have Santorum (and presumably his supporters) concerned about the one thing that causes the most harm to American families:
Not guns, which incidentally kill 30,000 people per year. (In fact Santorum and his party are well-known supporters of gun rights. The idea that guns should be regulated is as abhorrent to them as the idea that pornography should be unregulated. They don't seem to see the contradiction.)
Nor does he identify the as one of the greatest threats to families (which also is responsible for 30,000 deaths per year) or tobacco (100,000 per year), or alcohol (50,000 per year).
No, he wants to ban pornography.
**********************************************************
Part of the problem with the Republican party is that it has since the 1980s been made up of an awkward alliance between the religious right and the libertarians.
Thus Obama's Health Care plan was denounced in the shrillest terms as too much government intereference in your life.
This by the same party who wants to regulate who you can and can't get married to. And now wants to regulate what you can and can't masturbate to in the privacy of your own home.
It's built on a party that either overlooks this contradiction, or believes that God has given them the duty to interfere in everyone else's sex life.
Because the religious right finds pornography offensive, they must ban it for everyone.
I realize that we are in the midst of primary craziness, and that most of these issues will die away during the general election in November. But it's interesting to see what motivates the religious right.
Link of the Day
Noam Chomsky speaks to Dutch activists on various topics
Sunday, March 18, 2012
Saturday, March 17, 2012
Sex Industry and Cambodia
Some interesting articles have been appearing lately regarding the sex industry and Cambodia.
To start out, there's a blog post from Ms Greenwood:
Sex Work and Dignity in Cambodia – Not Everyone’s a Victim at That Girly Bar
(I recently disagreed with Ms Greenwood over her article on Chomsky. But that doesn't necessarily mean she's all wrong all the time and I think she's asking the right questions in this blog post.)
The links from her blogpost are interesting to follow as well:
Group struggles for legal distinction between human trafficking and sex work
and from the Phnom Penh Post:
Professional girlfriends: Moving beyond sex work by Heidi Hoefinger.
Which reminded me of another article I had read recently by the same author in South East Asia Globe:
Professional girlfriends and bar girls are creating new meanings of Khmer womanhood by Heidi Hoefinger.
I have my own thoughts on the issue, but they're largely irrelevant since they usually consist of me trying to imagine how a woman views sex, and that's always a dangerous profession for a man to engage in. (You'll notice that all of the above linked to articles are written by women.)
So I'll confine my observations to the obvious:
Human trafficking is a problem in this region. Some of my Khmer friends tell me that even upper middle class women dare not walk the streets alone at night in this country for fear of being abducted into a car and sold across the boarder to a brothel somewhere.
And yet, as Ms Greenwood says, a simple consideration of the economics of the situation should make the appeal of the voluntary sex trade obvious. A Cambodian woman can work in a sweat shop factory from morning to night in appalling conditions for $30 a month. Or she can get that same amount of money for a few hours work in Phnom Penh.
It's no wonder then that, as these articles indicate, a number of these woman don't appreciate being "saved" by religious groups and NGOs and retrained to work in the sweatshop industry.
Putting aside the morality of sex for a minute, from a purely cold classical liberal economic view, one would hope that the high wages available for sexual activity would force other business to push up their wages in an effort to compete for labor.
One would not hope that the it results in woman being taken off the streets and forced into the sweatshops by anti-human trafficking laws, which is apparently what's happening.
Perhaps the fact that sex workers in Cambodia are attempting to unionize and take their future into their own hands can be seen as a positive development.
Link of the Day
The Soviet Union Versus Socialism
To start out, there's a blog post from Ms Greenwood:
Sex Work and Dignity in Cambodia – Not Everyone’s a Victim at That Girly Bar
(I recently disagreed with Ms Greenwood over her article on Chomsky. But that doesn't necessarily mean she's all wrong all the time and I think she's asking the right questions in this blog post.)
The links from her blogpost are interesting to follow as well:
Group struggles for legal distinction between human trafficking and sex work
and from the Phnom Penh Post:
Professional girlfriends: Moving beyond sex work by Heidi Hoefinger.
Which reminded me of another article I had read recently by the same author in South East Asia Globe:
Professional girlfriends and bar girls are creating new meanings of Khmer womanhood by Heidi Hoefinger.
I have my own thoughts on the issue, but they're largely irrelevant since they usually consist of me trying to imagine how a woman views sex, and that's always a dangerous profession for a man to engage in. (You'll notice that all of the above linked to articles are written by women.)
So I'll confine my observations to the obvious:
Human trafficking is a problem in this region. Some of my Khmer friends tell me that even upper middle class women dare not walk the streets alone at night in this country for fear of being abducted into a car and sold across the boarder to a brothel somewhere.
And yet, as Ms Greenwood says, a simple consideration of the economics of the situation should make the appeal of the voluntary sex trade obvious. A Cambodian woman can work in a sweat shop factory from morning to night in appalling conditions for $30 a month. Or she can get that same amount of money for a few hours work in Phnom Penh.
It's no wonder then that, as these articles indicate, a number of these woman don't appreciate being "saved" by religious groups and NGOs and retrained to work in the sweatshop industry.
Putting aside the morality of sex for a minute, from a purely cold classical liberal economic view, one would hope that the high wages available for sexual activity would force other business to push up their wages in an effort to compete for labor.
One would not hope that the it results in woman being taken off the streets and forced into the sweatshops by anti-human trafficking laws, which is apparently what's happening.
Perhaps the fact that sex workers in Cambodia are attempting to unionize and take their future into their own hands can be seen as a positive development.
Link of the Day
The Soviet Union Versus Socialism
Labels:
links
Tuesday, March 13, 2012
Thoughts on the Continuing Disaster That is the US Occupation of Afghanistan
The idea of a “War on Terrorism” has always had internal contradictions. How do you fight an enemy without a traditional army?
It was feared from the very beginning that each US military victory would, rather than reduce terrorism, only fuel the anger of the opposition more, and recruit more terrorists. The fear was that we would get stuck in an endless cycle of violence and reprisals that have characterized every other terrorist conflict in the world, such as Northern Ireland, Israel, Chechnya, et cetera.
Way back in 2001, the supporters of the Afghanistan War assured us this wouldn’t happen. They said that while it may be true that every other occupying army in history has been resented by the local population, this time would be different. Our troops would target only the terrorists, and would win the support and trust of the local people.
Over 10 years later, I think it’s time to admit this little experiment has run its course .
If it were active US Government in Afghanistan policy to inflame Muslim hatred as much as possible, it would be hard to imagine how things would be any worse.
First there were the US soldiers urinating on dead Muslim soldiers. Then there was the burning of the Koran. And now the news that 16 Afghanistan civilians, 9 of them children, were murdered by a US soldier.
By themselves, any one of these could be excused as an aberration.
Taken together, I think it’s impossible to avoid the conclusion that:
1) The US government has lost control over its soldiers, and
2) US soldiers no longer want to be in Afghanistan.
If anyone can think of any good that can be reached by continuing this occupation, please let me know. Because I can’t see any.
Instead, what I see is a continuing occupation that is just daily making things worse and worse.
It’s time to end this war now. No more US soldiers need to die in Afghanistan, and the US government is hugely in debt and can no longer afford to fund this occupation.
Link of the Day
ENLIGHTENMENT MINUTES - with Noam Chomsky
It was feared from the very beginning that each US military victory would, rather than reduce terrorism, only fuel the anger of the opposition more, and recruit more terrorists. The fear was that we would get stuck in an endless cycle of violence and reprisals that have characterized every other terrorist conflict in the world, such as Northern Ireland, Israel, Chechnya, et cetera.
Way back in 2001, the supporters of the Afghanistan War assured us this wouldn’t happen. They said that while it may be true that every other occupying army in history has been resented by the local population, this time would be different. Our troops would target only the terrorists, and would win the support and trust of the local people.
Over 10 years later, I think it’s time to admit this little experiment has run its course .
If it were active US Government in Afghanistan policy to inflame Muslim hatred as much as possible, it would be hard to imagine how things would be any worse.
First there were the US soldiers urinating on dead Muslim soldiers. Then there was the burning of the Koran. And now the news that 16 Afghanistan civilians, 9 of them children, were murdered by a US soldier.
By themselves, any one of these could be excused as an aberration.
Taken together, I think it’s impossible to avoid the conclusion that:
1) The US government has lost control over its soldiers, and
2) US soldiers no longer want to be in Afghanistan.
If anyone can think of any good that can be reached by continuing this occupation, please let me know. Because I can’t see any.
Instead, what I see is a continuing occupation that is just daily making things worse and worse.
It’s time to end this war now. No more US soldiers need to die in Afghanistan, and the US government is hugely in debt and can no longer afford to fund this occupation.
Link of the Day
ENLIGHTENMENT MINUTES - with Noam Chomsky
Friday, March 02, 2012
Flashman on the March by George MacDonald Fraser
(Book Review)
Yet another book in the Flashman series.
(See also: Flashman, Royal Flash, Flash for Freedom, Flashman at the Charge, Flashman and the Great Game, Flashman's Lady , Flashman and the Redskins, Flashman and the Dragon, and the original source material Tom Brown's Schooldays by Thomas Hughes.)
“Flashman on the March” is actually the 12th book in the Flashman series. Previously I’ve only read up to book 8, which means I am now reading the books out of order. (Here in Southeast Asia, English books are in short supply and I’m reduced to reading only what I can find in used book stores. This book is the only Flashman book I could find at the moment.)
Not that it really matters, because each of these books is a stand alone story, and they’re all written out of chronological order anyway.
This adventure deals with the 1867 British invasion of Abyssinia (modern day Ethiopia). The mad emperor of Abyssinia, Theodore, has taken captive several British citizens as hostages, and the British government sends in an army to rescue them.
The campaign is a logistical nightmare. The British are marching into unfamiliar territory in the middle of a mountainous desert terrain were they must forage for food and water. They have to use elephants to bring their artillery up the mountains. Many observers at the time didn’t think they would come back. All of this is well portrayed in the book.
The land of Abyssinia is also very well described, and George MacDonald Fraser brings out all the wonder of the place. It is an unconquered Christian land in the middle of the Muslim empire, and thought to be the inspiration for the legend of Prester John (the mythical Christian king who supposedly reigned on the other side of the Islamic empire (W)). In the 19th Century, it still retained an unorthodox form of Christianity (apparently an older form of Christianity than the one that existed in Europe).
The Christian Emperor Theodore had visions of driving the Muslims out of Jerusalem, and one of the reasons he became hostile to the British is because he thought he was being snubbed by his fellow Christian monarch Queen Victoria.
All of these fascinating details come through in the book.
Once again, Flashman finds himself in the middle of all of it.
As always, Flashman is a reluctant participant. A series of events (starting out with Flashman as the aide-de-camp to the doomed Emperor Maximilian of Mexico) ends up with Flashman joining the British campaign to Abyssinia, despite his every attempt to weasel out of it.
As always, Flashman ends up encountering numerous real life historical figures.
And as always, much of what Flashman sees and hears are backed up by historical footnotes from George MacDonald Fraser. For instance in his footnotes, Fraser indicates that much of what Flashman hears Emperor Theodore say actually comes verbatim from other sources.
There’s not a lot for me to add to this review that I haven’t said in any of my reviews of the previous Flashman books. And by the reader gets to the 12th book in the series, no doubt they know what to expect, and they won’t be disappointed. There are plenty of colorful descriptions of exotic lands and historical figures, and Flashman has his usual series of narrow escapes from all sorts of dangers. It’s an excellent read, even if I’m not sure I agree with the politics of the book.
Which brings me to my next point…
The Politics of the Book
The early Flashman books highlighted the more shameful or bungling episodes of the British Empire (the invasion of Afghanistan, the Charge of the Light Brigade, the Sepoy Rebellion, et cetera.)
Flashman’s cowardliness served as a satire on the cult of Victorian heroism. The irony was that Flashman’s shameless sense of self-preservation made him less of a danger to society than all the honorable Victorian soldiers, whose heads were filled with notions of glory for Queen and Empire and who were likely to lead men into massacres or conduct one themselves.
However starting with Flashman’s Lady, a tonal shift seemed to be evident in these books. Instead of serving as a satire on Victorian heroism, Flashman became a foil to it. The stories focused on British soldiers and generals whose heroism author George MacDonald Fraser seemed to admire, and the fictional Flashman’s own cruelty and cowardliness served as a contrast to emphasize the honor of the British officer.
I’m not entirely sure what caused this tonal shift, but I was much more comfortable with the politics of the earlier books than with the pro-Imperial theme of the latter books.
This particular book follows that same pattern, where the British expedition is portrayed in a very positive light, and Lord Napier, who led the expedition, is repeatedly praised throughout the book.
Granted, this is one episode of imperial history where the British did seem to be in the right. They were defending their own citizens, they were provoked, and they were putting down a ruthless African tyrant.
But then, part of the interpretation of history is knowing which incidents to selectively emphasize. Fraser could have chosen to write about many other historical incidents in which the British army was not in the right. (For example at the same time that the Abyssinian expedition was happening, the Maori Wars were going on in New Zealand.)
Also the invasion of Abyssinia may have had political as well as humanitarian motivations.
I’m far from an expert myself. The only other places I’ve heard about the Abyssinian expedition is from “The Decline and Fall of the British Empire” by Piers Brendon (A) and “This Sceptred Isle: Empire” (A). Both of these sources emphasize that British army was sent not purely to rescue the hostages, but also to bolster British prestige world wide at a time when there was growing concern that the British Empire might soon be eclipsed by their European rivals. Also it was necessary that British prestige be upheld in Africa in order to discourage revolts in India.
This perspective is largely absent from Flashman on the March. Or at least, not emphasized.
Flashman does briefly acknowledge the wider political implications of the venture. (On p. 26. Being typically irreverent, racist and always politically incorrect, Flashman expresses himself in language I daren’t quote here.)
But this wider context is often forgotten in favor of rhetoric about soldiers doing what is right, and a government’s sacred duty to protect its citizens. As George MacDonald Fraser states in his introduction:
“…and it may be that along with the light he [Flashman] casts on a unique chapter of imperial history, he invites a comparison with a later and less glorious day.
For Flashman’s story is about a British army sent out in a good and honest cause by a government who knew what honour meant. It was not sent without initial follies and hesitations in high places, or until every hope of a peaceful issue was gone. It went with the fear of disaster hanging over it, but the British public in no doubt that it was right. It served no politician’s vanity or interest. It went without messianic rhetoric. There were no false excuses, no deceits, not cover-ups or lies, just a decent resolve to do a government’s first duty: to protect its people, whatever the cost. To quote Flashman again, those were the days.” (p. x)
On the other hand:
This book was published in 2005, when the Iraq War was in full swing. The “later and less glorious day” Fraser is talking about is no doubt Britain’s participation in the Iraq War. In fact if you re-read the above paragraph, it looks like all the things Fraser is saying the Abyssinian campaign was not, he’s implying that the Iraq War was. In the Iraq War there were false excuses, deceits, and cover-ups and lies.
To which I can only add: “Hear Hear!”
Connections with Other Books I’ve Been Reading Lately
(Just for my own benefit I always like to draw connections between some of the various books I’ve been reading.)
The Abyssinian incident is sometimes described as a prelude to “The Scramble for Africa.” It takes place 10 years before the start of Thomas Pakenham’s excellent history on the Scramble, but some of the dramatis personae are the same. For example Sir Henry Morton Stanley, who played such a big part in Thomas Pakenham’s book, was one of the newspaper correspondents assigned to the Abyssinian campaign, and pops up a few times in “Flashman on the March.”
Another newspaper writer who is briefly featured as a character on this book, G.A. Henty, later went on to cover the Sudan Wars in the 1890s, and is featured in the excellent “Three Empires on the Nile” by Dominic Green.
(The British campaign to end slavery in the Suez, one of the major themes in Dominic Green’s book, also briefly features in “Flashman on the March,” when Flashman finds himself on the boat of an overly zealous anti-slavery British naval officer.)
Richard Burton’s quarrels with fellow explorer John Speke, about who discovered what on the Nile river, are also mentioned briefly in this book.
****************************************************************
I don’t know if everyone caught this, but Flashman was in the news a few months back:
Why Labour are calling David Cameron 'Flashman' [LINK HERE]
And so just for fun, here’s a few more Flashman links.
Christopher Hitchens on the subject of Flashman can be found here [LINK HERE] . (Hitchens actually has a much longer essay on Flashman in his latest book, “Arguably” (A), but I can’t find an on-line version at the moment.)
And here’s John Updike’s review of Flashman [LINK HERE].
Link of the Day
The Imperial Way: American Decline in Perspective
Flashman on the March by George MacDonald Fraser: Book Review (Scripted)
Monday, February 27, 2012
Friday, February 24, 2012
From The Guardian
Shocking, fascinating, entirely unsurprising: the leaked documents, if authentic, confirm what we suspected but could not prove. The Heartland Institute, which has helped lead the war against climate science in the United States, is funded among others by tobacco firms, fossil fuel companies and one of the billionaire Koch brothers(1).
It appears to have followed the script written by a consultant to the Republican party, Frank Luntz, in 2002. “Should the public come to believe that the scientific issues are settled, their views about global warming will change accordingly. Therefore, you need to continue to make the lack of scientific certainty a primary issue in the debate.”(2)
Luntz’s technique was pioneered by the tobacco companies and the creationists: teach the controversy. In other words, insist that the question of whether cigarettes cause lung cancer, natural selection drives evolution or burning fossil fuels causes climate change is still wide open, and that both sides of the “controversy” should be taught in schools and thrashed out in the media.
(Rest of Article Here)
Shocking, fascinating, entirely unsurprising: the leaked documents, if authentic, confirm what we suspected but could not prove. The Heartland Institute, which has helped lead the war against climate science in the United States, is funded among others by tobacco firms, fossil fuel companies and one of the billionaire Koch brothers(1).
It appears to have followed the script written by a consultant to the Republican party, Frank Luntz, in 2002. “Should the public come to believe that the scientific issues are settled, their views about global warming will change accordingly. Therefore, you need to continue to make the lack of scientific certainty a primary issue in the debate.”(2)
Luntz’s technique was pioneered by the tobacco companies and the creationists: teach the controversy. In other words, insist that the question of whether cigarettes cause lung cancer, natural selection drives evolution or burning fossil fuels causes climate change is still wide open, and that both sides of the “controversy” should be taught in schools and thrashed out in the media.
(Rest of Article Here)
Wednesday, February 22, 2012
Charles Dickens: Best Ghost Stories published by Wordsworth Classics
(Book Review)
I came across this book while browsing through the shelves of a used bookstore. My first reaction was to think:
a) Everyone loves Ghost stories
b) Everyone loves Charles Dickens
c) How could you go wrong with a book like this?
However, upon completing the book, I must confess to having a lot of mixed feelings about it. Perhaps some of these less remembered stories are less remembered for a reason.
As always it’s difficult to review - an - anthology book because the different stories collected here are of varying style, purpose and quality.
(And in fact, this much is admitted in the publisher’s introduction: “The quality of these twelve stories is inevitably uneven, for they span virtually the whole of Dickens’s creative lifetime, cover a variety of supernatural elements, and were written with varying intentions” p. viii-ix).
Some of these stories I enjoyed immensely. Others were a real struggle to get through, and required me to force myself to keep reading till the end.
The title of the anthology is perhaps a bit misleading. All of these stories involve hints of the supernatural, but not all of them are “ghost stories” in the sense of a spooky tale that gives you chills at night. Some of them are more traditional ghost stories, but many of these stories are morality tales in which somebody learns a lesson about humanity through the intervention of supernatural elements. These morality tales can get a bit repetitive when they are all collected together in one volume.
Most of these stories also lack the sort of surprise plot twist you expect from a ghost story, and have a predictable ending.
And then there’s Dickens’s famous long-winded prose. There are stories in this book where he takes forever to get to the point.
Depending on your patience as a reader, Dickens’s long descriptions, filled with various digressions and dry humor, are either the best thing about his writing, or the most frustrating.
Although I count “A Tale of Two Cities” among my favorite books of all time, some stories in this book had me wondering if I really possess enough patience to read Dickens.
(This may be more reflective on my limitations as a reader than on the strength of Dickens’s writing.)
When I mentioned Dickens’s tendency to describe things to excess back in a high school report on “A Tale of Two Cities”, my English teacher wrote in the margins, “He got paid by the word.” According to this website [LINK], that’s actually not technically true (he got paid by the installment), but I can certainly see where the rumor got started. Take, for example, the opening few paragraphs from “The Haunted Man and the Ghost’s Bargain” and see if they don’t read like the author was getting paid for every extra word he crammed in, and every pointless extra digression he took.
Everybody said so.
Far be it from me to assert that what everyone says must be true. Everybody is, often, as likely to be wrong as right. In the general experience, everybody has been wrong so often, and it has taken, in most instances, such a weary while to find out how wrong, that the authority is proved to be infallible. Everybody may sometimes be right, ‘but that’s no rule’ as the ghost of Giles Scroggins says in the balled.
The dread word, Ghost, recalls me.
Everybody said he looked like a haunted man. The extent of my present claim for everybody is that they were so far right. He did.
Who could have seen his hollow cheeks; his sunken brilliant eye; his black-attired figure, indefinably grim, although well knit and well proportioned; his grizzled hair hanging, like tangled seaweed, about his face—as if he had been, through his whole life, a lonely mark for the chafing and beating of the great deep of humanity, but might have said he looked like a haunted man?
Who could have observed his manner, taciturn, thoughtful, gloomy shadowed by habitual reserve, retiring always and jocund never, with a distraught air of reverting to bygone places and time, or of listening to some old echoes in his mind, but might have said it was the manner of a haunted man?
Who could have heard his voice, slow-speaking, deep, and grave, with a natural fullness and melody in it which he seemed to set himself against and stop, but might have said it was the voice of a haunted man?
Who that had seen him in his inner chamber, part library, and part laboratory—for he was, as the world knew, far and wide, a learned man in chemistry, and a teacher on whose lips and hands a crowd of aspiring ears and eyes hung daily—who that had seen him there, upon a winter night, alone, surrounded by his drugs and instruments and books; the shadow of his shaded lamp a monstrous beetle on the wall, motionless among a crowd of spectral shapes raised there by the flickering of the fire upon the quaint objects around him; some of these phantoms (the reflection of glass vessels that held liquids), trembling at heart, like things that knew his power to uncombine them, and to give back their component parts to fire and vapour, who that had seen him then, his work done, and he pondering in his chair before the rusted grate and red flame, moving his thin mouth as if in speech, but silent as the dead, would not have said that the man seemed haunted and the chamber too?
Who might not, by a very flight of fancy, have believed that everything about him took this haunted tone, and that he lived on haunted ground?
His dwelling was so solitary and vaultlike—an old, retired of an ancient endowment for students, once a brave edifice, planted in an open place, but now the obsolete whim of forgotten architects; smoke-age-and weather-darkened, squeezed on every side by the overgrowing of the great city, and choked, like an old well, with stones and bricks; its small quadrangles, lying down in very pits formed by the streets and buildings, which, in course of time, had been constructed above its heavy chimney stacks; its old trees insulted by the neighbouring smoke, which deigned to droop so low when it was very feeble and the weather very moody; its grass-plots, struggling with the mildewed earth to be grass, or to win any show of compromise; its silent pavements, unaccustomed to the tread of feet, and even to the observation of eyes, except when a stray face looked down from the upper world, wondering what nook it was; its sundial a little bricked-up corner, where no sun had straggled for a hundred years, but where, in compensation for the sun’s neglect, the snow would lie for weeks when it lay nowhere else, and the black east wind would spin like a huge humming-top, when in all other places it was silent and still.
His dwelling, at its heart and core—within doors—at his fireside—was so lowering and old, so crazy, yet so strong, with its wormeaten beams of wood in the ceiling, and its sturdy floor shelving downward to the great oak chimneypieces; so environed and hemmed in by the pressure of the town, yet so remote in fashion, age, and custom; so quiet, yet so thundering with echoes when a distant voice was raised or a door was shut—echoes, not confined to the many low passages and empty rooms, but rumbling and grumbling till they were stifled in the heavy air of the forgotten crypt where the Norman arches were half-buried in the earth.
Dickens actually goes on like this for another 2 pages before any action happens, but you get the point.
And this is actually very typical of a lot of the stories in this collection, many of which start out with two or three pages of long ramblings before Dickens gets to the story.
A better reader than myself might enjoy these long descriptive passages. Read the above excerpt, and see what your reaction is. If you’re able to get all the way through it without your mind wandering off somewhere else, than you will probably enjoy this book.
As for me, I discovered I have a limited attention span. I need to have lots of things happening in each paragraph in order to hold my attention. I would get a couple lines into these long descriptions, and then my mind would immediately go someplace else. And then I would get to the bottom of the page and realize I hadn’t absorbed anything, and have to go back up to the top of the page and try to read it again. And again. And again. Some of these pages took me forever to get through, and in the end much of this book ended up being a forced march rather than pleasure reading.
And then after working my way through all that description, I was frequently disappointed when the pay off wasn’t very good—when the actual story would be very mundane or predictable.
***********************************************************
The stories collected in this volume are as follows:
1. The Queer Chair
2. A Madman’s Manuscript
3. The Goblins who Stole a Sexton
4. The Ghosts of the Mail
5. The Baron of Grogzwig
6. A Christmas Carol
7. The Haunted Man and the Ghost’s Bargain
8. To be Read at Dusk
9. The Ghost in the Bride’s Chamber
10. The Haunted House
11. Trial for Murder
12. The Signalman
Of these stories, I enjoyed “The Queer Chair,” “The Baron of Grogzwig”, “A Christmas Carol,” “To Be Read at Dusk,”, “The Ghost in the Bride’s Chamber,” and “Trial for Murder,” and “The Signalman”. Long-winded descriptions aside, all of these were worth the trouble, although for different reasons. “The Queer Chair” is recommended for its humor, while “The Ghost in the Bride’s Chamber” is more of a chilling tale.
The other stories I had more mixed feelings about, but I suppose that is to be expected in an anthology volume.
Some of these are excerpts from larger works. The first 4 stories, for example, all come from The Pickwick Papers, but you would never know that because they stand perfectly on their own as short stories. (According to the publisher’s introduction, it was apparently Dickens’ practice to insert smaller stand alone stories into some of his longer serializations.)
The only place where the short story did not excerpt itself cleanly was “The Haunted House”. This was apparently from a book that was a collaborative effort between Dickens and several other writers (W). Dickens was given the job of setting up the story, but I never got to see how it concluded.
Everything else stands on its own very nicely.
A Christmas Carol
This is the most famous story in the collection and is often published as a novella in its own right, so I’ll say a few words about it separately.
I think everyone is familiar with this story whether you’ve read the original or not. If you’re anything like me, you’ve seen so many television adaptations of this story that you’ve got the entire plot memorized before you start reading it.
That being said, it’s well written and worth reading, even if you know exactly what is going to happen next. Unlike some of the other stories in this collection, the pacing is pretty good. The characters are very colorful. And the story manages to do (and do well) humor, pathos, and redemption.
As someone who dislikes - Christmas - myself, I fully expected to hate this story, which was the mother of all subsequent sappy Christmas stories—not to mention the story that made hating Christmas equivalent to misanthropy in the popular mind.
But despite myself I found myself enjoying it.
For one thing, the liberal in me enjoyed seeing Dickens’ liberal views on display.
Dickens was no revolutionary, as Orwell points out clearly in this essay here [LINK], but he was definitely on the side of the liberal reformers of his day.
As the publisher’s introduction sums up the theme of this story, “The virtues of generosity and goodwill to all mankind which are traditionally associated with Christmas are presented as an antidote to the harsh puritan attitude that prevailed in the world of Victorian trade.”
Dickens’ message of putting people before profit comes through clearly in his writing.
When confronted with the doomed ghost of his old business partner, Jacob Marley, who is being punished in the afterlife for his greedy business practices, Scrooge says:
“But you were always a good man of business, Jacob,” faltered Scrooge, who now began to apply this to himself.
“Business!” cried the Ghost, wringing its hands again. “Mankind was my business. The common welfare was my business; charity, mercy, forbearance, and benevolence were, all, my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business!”
At other points, the miserly Scrooge (pre-redemption) sounds very much like today’s Gingrich-esque conservative, complaining about the lazy poor people on welfare. When asked to give money to the poor, Scrooge has the following response:
“At this festive season of the year, Mr Scrooge,” said the gentleman, taking up a pen, “it is more than usually desirable that we should make some slight provision for the poor and destitute, who suffer greatly at the present time. Many thousands are in want of common necessaries; hundreds of thousands are in want of common comforts, sir.”
“Are there no prisons?” asked Scrooge.
“Plenty of prisons,” said the gentleman, laying down the pen again
“And the Union workhouses?” demanded Scrooge. “Are they still in operation?”
“They are. Still,” returned the gentleman. “I wish I could say they were not.”
“The Treadmill and the Poor Law are in full vigour, then?” said Scrooge.
“Both very busy, sir.”
“Oh! I was afraid from what you said at first that something had had occurred to stop them in their usual course,” said Scrooge. “I am very glad to hear it…. I don’t make merry myself at Christmas, and I can’t afford to make idle people merry. I help to support the establishments I have mentioned—they cost enough: and those who are badly off must go there.”
“Many can’t go there; and many would rather die.”
“If they would rather die,” said Scrooge, “they had better do it, and decrease the surplus population. Besides—excuse me—I don’t know that.”
I also found myself getting drawn into the drama of Scrooge’s life as the spirits take him back and forwards in time to show him what his life used to be like, and what his future will be. The reader feels, along with Scrooge, the intense sorrow of the relationships he’s lost in the past, and the happiness that could have been his.
[Actually some of Scrooge’s life reminded me a little bit of Citizen Kane. Scrooge starts out as a poor child with nothing, goes to be hard working young man, becomes obsessed with money and success and loses track of what is important in life, and then is seemingly fated to die alone. But unlike Citizen Kane, Scrooge is given a chance to change his fate and rejoin humanity.]
It’s true that this story uses Christmas as a setting, but actually the really appealing parts of the story have nothing to do with Christmas, and the story could easily have been re-written without Christmas altogether.
In fact, it is the Christmas sections of the story that are the weakest.
I’m not sure if Dickens amplified the importance of Christmas because he though it would make his story more popular, or if he really believed what he wrote, but the Christmas sections are pretty over the top.
Dickens seemed to believe that without Christmas, society would completely collapse. And yet plenty of societies have gotten along for centuries just fine without it.
At one point the Ghost of Christmas Present takes Scrooge around the world to show Scrooge that Christmas is even being celebrated down in the ground in the mines, and in the middle of the ocean in the ships.
What Dickens forgets to mention is that most of the world actually doesn’t celebrate Christmas. (Well, globalization is spreading some of the superficial aspects of Christmas into Asia these days, but it is still not considered a major holiday, and it certainly wasn’t celebrated in Asia in the 19th century.)
But the charms of the story were more than enough to make up for its excessive zeal about Christmas.
According to the publisher’s introduction, it became Dickens’ tradition to publish a Christmas themed story every year, and two others are included in this anthology: “The Goblins who Stole a Sexton”, and “The Haunted Man and the Ghost’s Bargain.”
These stories are very similar in theme and plot to “A Christmas Carol” and when included in the same book they can quickly start to feel repetitive. By the time I got to the end of the 3rd story about ghosts showing a man the error of his ways on Christmas I had just about lost patience for the formula.
But that’s the problem of the anthology. Standing alone, these stories are perfectly fine.
Link of the Day
Chomsky on two party system alternatives -- 2/14/12
I came across this book while browsing through the shelves of a used bookstore. My first reaction was to think:
a) Everyone loves Ghost stories
b) Everyone loves Charles Dickens
c) How could you go wrong with a book like this?
However, upon completing the book, I must confess to having a lot of mixed feelings about it. Perhaps some of these less remembered stories are less remembered for a reason.
As always it’s difficult to review - an - anthology book because the different stories collected here are of varying style, purpose and quality.
(And in fact, this much is admitted in the publisher’s introduction: “The quality of these twelve stories is inevitably uneven, for they span virtually the whole of Dickens’s creative lifetime, cover a variety of supernatural elements, and were written with varying intentions” p. viii-ix).
Some of these stories I enjoyed immensely. Others were a real struggle to get through, and required me to force myself to keep reading till the end.
The title of the anthology is perhaps a bit misleading. All of these stories involve hints of the supernatural, but not all of them are “ghost stories” in the sense of a spooky tale that gives you chills at night. Some of them are more traditional ghost stories, but many of these stories are morality tales in which somebody learns a lesson about humanity through the intervention of supernatural elements. These morality tales can get a bit repetitive when they are all collected together in one volume.
Most of these stories also lack the sort of surprise plot twist you expect from a ghost story, and have a predictable ending.
And then there’s Dickens’s famous long-winded prose. There are stories in this book where he takes forever to get to the point.
Depending on your patience as a reader, Dickens’s long descriptions, filled with various digressions and dry humor, are either the best thing about his writing, or the most frustrating.
Although I count “A Tale of Two Cities” among my favorite books of all time, some stories in this book had me wondering if I really possess enough patience to read Dickens.
(This may be more reflective on my limitations as a reader than on the strength of Dickens’s writing.)
When I mentioned Dickens’s tendency to describe things to excess back in a high school report on “A Tale of Two Cities”, my English teacher wrote in the margins, “He got paid by the word.” According to this website [LINK], that’s actually not technically true (he got paid by the installment), but I can certainly see where the rumor got started. Take, for example, the opening few paragraphs from “The Haunted Man and the Ghost’s Bargain” and see if they don’t read like the author was getting paid for every extra word he crammed in, and every pointless extra digression he took.
Everybody said so.
Far be it from me to assert that what everyone says must be true. Everybody is, often, as likely to be wrong as right. In the general experience, everybody has been wrong so often, and it has taken, in most instances, such a weary while to find out how wrong, that the authority is proved to be infallible. Everybody may sometimes be right, ‘but that’s no rule’ as the ghost of Giles Scroggins says in the balled.
The dread word, Ghost, recalls me.
Everybody said he looked like a haunted man. The extent of my present claim for everybody is that they were so far right. He did.
Who could have seen his hollow cheeks; his sunken brilliant eye; his black-attired figure, indefinably grim, although well knit and well proportioned; his grizzled hair hanging, like tangled seaweed, about his face—as if he had been, through his whole life, a lonely mark for the chafing and beating of the great deep of humanity, but might have said he looked like a haunted man?
Who could have observed his manner, taciturn, thoughtful, gloomy shadowed by habitual reserve, retiring always and jocund never, with a distraught air of reverting to bygone places and time, or of listening to some old echoes in his mind, but might have said it was the manner of a haunted man?
Who could have heard his voice, slow-speaking, deep, and grave, with a natural fullness and melody in it which he seemed to set himself against and stop, but might have said it was the voice of a haunted man?
Who that had seen him in his inner chamber, part library, and part laboratory—for he was, as the world knew, far and wide, a learned man in chemistry, and a teacher on whose lips and hands a crowd of aspiring ears and eyes hung daily—who that had seen him there, upon a winter night, alone, surrounded by his drugs and instruments and books; the shadow of his shaded lamp a monstrous beetle on the wall, motionless among a crowd of spectral shapes raised there by the flickering of the fire upon the quaint objects around him; some of these phantoms (the reflection of glass vessels that held liquids), trembling at heart, like things that knew his power to uncombine them, and to give back their component parts to fire and vapour, who that had seen him then, his work done, and he pondering in his chair before the rusted grate and red flame, moving his thin mouth as if in speech, but silent as the dead, would not have said that the man seemed haunted and the chamber too?
Who might not, by a very flight of fancy, have believed that everything about him took this haunted tone, and that he lived on haunted ground?
His dwelling was so solitary and vaultlike—an old, retired of an ancient endowment for students, once a brave edifice, planted in an open place, but now the obsolete whim of forgotten architects; smoke-age-and weather-darkened, squeezed on every side by the overgrowing of the great city, and choked, like an old well, with stones and bricks; its small quadrangles, lying down in very pits formed by the streets and buildings, which, in course of time, had been constructed above its heavy chimney stacks; its old trees insulted by the neighbouring smoke, which deigned to droop so low when it was very feeble and the weather very moody; its grass-plots, struggling with the mildewed earth to be grass, or to win any show of compromise; its silent pavements, unaccustomed to the tread of feet, and even to the observation of eyes, except when a stray face looked down from the upper world, wondering what nook it was; its sundial a little bricked-up corner, where no sun had straggled for a hundred years, but where, in compensation for the sun’s neglect, the snow would lie for weeks when it lay nowhere else, and the black east wind would spin like a huge humming-top, when in all other places it was silent and still.
His dwelling, at its heart and core—within doors—at his fireside—was so lowering and old, so crazy, yet so strong, with its wormeaten beams of wood in the ceiling, and its sturdy floor shelving downward to the great oak chimneypieces; so environed and hemmed in by the pressure of the town, yet so remote in fashion, age, and custom; so quiet, yet so thundering with echoes when a distant voice was raised or a door was shut—echoes, not confined to the many low passages and empty rooms, but rumbling and grumbling till they were stifled in the heavy air of the forgotten crypt where the Norman arches were half-buried in the earth.
Dickens actually goes on like this for another 2 pages before any action happens, but you get the point.
And this is actually very typical of a lot of the stories in this collection, many of which start out with two or three pages of long ramblings before Dickens gets to the story.
A better reader than myself might enjoy these long descriptive passages. Read the above excerpt, and see what your reaction is. If you’re able to get all the way through it without your mind wandering off somewhere else, than you will probably enjoy this book.
As for me, I discovered I have a limited attention span. I need to have lots of things happening in each paragraph in order to hold my attention. I would get a couple lines into these long descriptions, and then my mind would immediately go someplace else. And then I would get to the bottom of the page and realize I hadn’t absorbed anything, and have to go back up to the top of the page and try to read it again. And again. And again. Some of these pages took me forever to get through, and in the end much of this book ended up being a forced march rather than pleasure reading.
And then after working my way through all that description, I was frequently disappointed when the pay off wasn’t very good—when the actual story would be very mundane or predictable.
***********************************************************
The stories collected in this volume are as follows:
1. The Queer Chair
2. A Madman’s Manuscript
3. The Goblins who Stole a Sexton
4. The Ghosts of the Mail
5. The Baron of Grogzwig
6. A Christmas Carol
7. The Haunted Man and the Ghost’s Bargain
8. To be Read at Dusk
9. The Ghost in the Bride’s Chamber
10. The Haunted House
11. Trial for Murder
12. The Signalman
Of these stories, I enjoyed “The Queer Chair,” “The Baron of Grogzwig”, “A Christmas Carol,” “To Be Read at Dusk,”, “The Ghost in the Bride’s Chamber,” and “Trial for Murder,” and “The Signalman”. Long-winded descriptions aside, all of these were worth the trouble, although for different reasons. “The Queer Chair” is recommended for its humor, while “The Ghost in the Bride’s Chamber” is more of a chilling tale.
The other stories I had more mixed feelings about, but I suppose that is to be expected in an anthology volume.
Some of these are excerpts from larger works. The first 4 stories, for example, all come from The Pickwick Papers, but you would never know that because they stand perfectly on their own as short stories. (According to the publisher’s introduction, it was apparently Dickens’ practice to insert smaller stand alone stories into some of his longer serializations.)
The only place where the short story did not excerpt itself cleanly was “The Haunted House”. This was apparently from a book that was a collaborative effort between Dickens and several other writers (W). Dickens was given the job of setting up the story, but I never got to see how it concluded.
Everything else stands on its own very nicely.
A Christmas Carol
This is the most famous story in the collection and is often published as a novella in its own right, so I’ll say a few words about it separately.
I think everyone is familiar with this story whether you’ve read the original or not. If you’re anything like me, you’ve seen so many television adaptations of this story that you’ve got the entire plot memorized before you start reading it.
That being said, it’s well written and worth reading, even if you know exactly what is going to happen next. Unlike some of the other stories in this collection, the pacing is pretty good. The characters are very colorful. And the story manages to do (and do well) humor, pathos, and redemption.
As someone who dislikes - Christmas - myself, I fully expected to hate this story, which was the mother of all subsequent sappy Christmas stories—not to mention the story that made hating Christmas equivalent to misanthropy in the popular mind.
But despite myself I found myself enjoying it.
For one thing, the liberal in me enjoyed seeing Dickens’ liberal views on display.
Dickens was no revolutionary, as Orwell points out clearly in this essay here [LINK], but he was definitely on the side of the liberal reformers of his day.
As the publisher’s introduction sums up the theme of this story, “The virtues of generosity and goodwill to all mankind which are traditionally associated with Christmas are presented as an antidote to the harsh puritan attitude that prevailed in the world of Victorian trade.”
Dickens’ message of putting people before profit comes through clearly in his writing.
When confronted with the doomed ghost of his old business partner, Jacob Marley, who is being punished in the afterlife for his greedy business practices, Scrooge says:
“But you were always a good man of business, Jacob,” faltered Scrooge, who now began to apply this to himself.
“Business!” cried the Ghost, wringing its hands again. “Mankind was my business. The common welfare was my business; charity, mercy, forbearance, and benevolence were, all, my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business!”
At other points, the miserly Scrooge (pre-redemption) sounds very much like today’s Gingrich-esque conservative, complaining about the lazy poor people on welfare. When asked to give money to the poor, Scrooge has the following response:
“At this festive season of the year, Mr Scrooge,” said the gentleman, taking up a pen, “it is more than usually desirable that we should make some slight provision for the poor and destitute, who suffer greatly at the present time. Many thousands are in want of common necessaries; hundreds of thousands are in want of common comforts, sir.”
“Are there no prisons?” asked Scrooge.
“Plenty of prisons,” said the gentleman, laying down the pen again
“And the Union workhouses?” demanded Scrooge. “Are they still in operation?”
“They are. Still,” returned the gentleman. “I wish I could say they were not.”
“The Treadmill and the Poor Law are in full vigour, then?” said Scrooge.
“Both very busy, sir.”
“Oh! I was afraid from what you said at first that something had had occurred to stop them in their usual course,” said Scrooge. “I am very glad to hear it…. I don’t make merry myself at Christmas, and I can’t afford to make idle people merry. I help to support the establishments I have mentioned—they cost enough: and those who are badly off must go there.”
“Many can’t go there; and many would rather die.”
“If they would rather die,” said Scrooge, “they had better do it, and decrease the surplus population. Besides—excuse me—I don’t know that.”
I also found myself getting drawn into the drama of Scrooge’s life as the spirits take him back and forwards in time to show him what his life used to be like, and what his future will be. The reader feels, along with Scrooge, the intense sorrow of the relationships he’s lost in the past, and the happiness that could have been his.
[Actually some of Scrooge’s life reminded me a little bit of Citizen Kane. Scrooge starts out as a poor child with nothing, goes to be hard working young man, becomes obsessed with money and success and loses track of what is important in life, and then is seemingly fated to die alone. But unlike Citizen Kane, Scrooge is given a chance to change his fate and rejoin humanity.]
It’s true that this story uses Christmas as a setting, but actually the really appealing parts of the story have nothing to do with Christmas, and the story could easily have been re-written without Christmas altogether.
In fact, it is the Christmas sections of the story that are the weakest.
I’m not sure if Dickens amplified the importance of Christmas because he though it would make his story more popular, or if he really believed what he wrote, but the Christmas sections are pretty over the top.
Dickens seemed to believe that without Christmas, society would completely collapse. And yet plenty of societies have gotten along for centuries just fine without it.
At one point the Ghost of Christmas Present takes Scrooge around the world to show Scrooge that Christmas is even being celebrated down in the ground in the mines, and in the middle of the ocean in the ships.
What Dickens forgets to mention is that most of the world actually doesn’t celebrate Christmas. (Well, globalization is spreading some of the superficial aspects of Christmas into Asia these days, but it is still not considered a major holiday, and it certainly wasn’t celebrated in Asia in the 19th century.)
But the charms of the story were more than enough to make up for its excessive zeal about Christmas.
According to the publisher’s introduction, it became Dickens’ tradition to publish a Christmas themed story every year, and two others are included in this anthology: “The Goblins who Stole a Sexton”, and “The Haunted Man and the Ghost’s Bargain.”
These stories are very similar in theme and plot to “A Christmas Carol” and when included in the same book they can quickly start to feel repetitive. By the time I got to the end of the 3rd story about ghosts showing a man the error of his ways on Christmas I had just about lost patience for the formula.
But that’s the problem of the anthology. Standing alone, these stories are perfectly fine.
Link of the Day
Chomsky on two party system alternatives -- 2/14/12
Charles Dickens: Best Ghost Stories published by Wordsworth Classics: Book Review (Scripted)
Saturday, February 18, 2012
More Links:
I listen to the BBC World Service constantly at my apartment. I don't normally link to their programs, but this recent program on America's Poor really deserves to be listened to. It's 25 minutes long, but you can put it on in the background when you're doing something else.
Also while I'm linking around to stuff:
I found this article from Salon.com to be the best I've read so far on the contraception debate:
Freedom of religion is freedom from religion: Obama's contraception compromise is a rare practical solution to America's perennial church-state tensions
Speaking of which--Did anyone else see this Wall Street Journal article in which the Catholic Church is comparing their opposition to insuring their employees for Contraception to the Civil Rights movement?
The full text of original article is no longer online--but the New Republic has excerpted some of the best parts.
At St. Brendan Church in San Francisco, the Rev. Michael Quinn compared the church’s opposition to the contraceptive rules to the civil-rights fight waged by 1950s activist Rosa Parks, who refused to give her seat up to a white man on a bus. “I believe this is our Rosa Parks moment,” Father Quinn told more than 200 parishioners on Sunday. “This is our moment to say this is wrong.”
I listen to the BBC World Service constantly at my apartment. I don't normally link to their programs, but this recent program on America's Poor really deserves to be listened to. It's 25 minutes long, but you can put it on in the background when you're doing something else.
Also while I'm linking around to stuff:
I found this article from Salon.com to be the best I've read so far on the contraception debate:
Freedom of religion is freedom from religion: Obama's contraception compromise is a rare practical solution to America's perennial church-state tensions
Speaking of which--Did anyone else see this Wall Street Journal article in which the Catholic Church is comparing their opposition to insuring their employees for Contraception to the Civil Rights movement?
The full text of original article is no longer online--but the New Republic has excerpted some of the best parts.
At St. Brendan Church in San Francisco, the Rev. Michael Quinn compared the church’s opposition to the contraceptive rules to the civil-rights fight waged by 1950s activist Rosa Parks, who refused to give her seat up to a white man on a bus. “I believe this is our Rosa Parks moment,” Father Quinn told more than 200 parishioners on Sunday. “This is our moment to say this is wrong.”
Wednesday, February 15, 2012
From Salon.com
The Hysterical American Decline by Noam Chomsky
Significant anniversaries are solemnly commemorated — Japan’s attack on the U.S. naval base at Pearl Harbor, for example. Others are ignored, and we can often learn valuable lessons from them about what is likely to lie ahead. Right now, in fact.
At the moment, we are failing to commemorate the 50th anniversary of President John F. Kennedy’s decision to launch the most destructive and murderous act of aggression of the post-World War II period: the invasion of South Vietnam, later all of Indochina, leaving millions dead and four countries devastated, with casualties still mounting from the long-term effects of drenching South Vietnam with some of the most lethal carcinogens known, undertaken to destroy ground cover and food crops.
The prime target was South Vietnam. The aggression later spread to the North, then to the remote peasant society of northern Laos, and finally to rural Cambodia, which was bombed at the stunning level of all allied air operations in the Pacific region during World War II, including the two atom bombs dropped on Hiroshima and Nagasaki. In this, Henry Kissinger’s orders were being carried out — “anything that flies on anything that moves” — a call for genocide that is rare in the historical record. Little of this is remembered. Most was scarcely known beyond narrow circles of activists.
(Rest of article here)
The Hysterical American Decline by Noam Chomsky
Significant anniversaries are solemnly commemorated — Japan’s attack on the U.S. naval base at Pearl Harbor, for example. Others are ignored, and we can often learn valuable lessons from them about what is likely to lie ahead. Right now, in fact.
At the moment, we are failing to commemorate the 50th anniversary of President John F. Kennedy’s decision to launch the most destructive and murderous act of aggression of the post-World War II period: the invasion of South Vietnam, later all of Indochina, leaving millions dead and four countries devastated, with casualties still mounting from the long-term effects of drenching South Vietnam with some of the most lethal carcinogens known, undertaken to destroy ground cover and food crops.
The prime target was South Vietnam. The aggression later spread to the North, then to the remote peasant society of northern Laos, and finally to rural Cambodia, which was bombed at the stunning level of all allied air operations in the Pacific region during World War II, including the two atom bombs dropped on Hiroshima and Nagasaki. In this, Henry Kissinger’s orders were being carried out — “anything that flies on anything that moves” — a call for genocide that is rare in the historical record. Little of this is remembered. Most was scarcely known beyond narrow circles of activists.
(Rest of article here)
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