(Book Review)
So I was talking to the Bear, and I said, “Bear, remember that book you recommended to me 6 years ago? I finally got around to reading it.”
And the Bear said, “Well if you liked that book, then this one is even better.” And before I knew it, I left the Bear’s house with another reading assignment. (You’ve got to watch that Bear. He’ll try and take over your whole reading list if you let him.)
So, because of the Bear, I returned to the world of Robert Heinlein. As I mentioned in my previous review, Heinlein had some interesting and contradictory politics. “Stranger in a Strange Land” is a book that advocated free love and communal living. “Starship Troopers” is often accused of militarism and fascism. There are some tortured attempts on the internet to find a thread of consistency through his writings, or explain a political progression, but I find it easier just to take each book as its own.
Film critic Roger Ebert says when he was in grade school he read this book to the point of memorization. On the other hand Paul Verhoeven, who directed the movie version of “Starship Troopers” found the book so depressing he claims he never even finished it (which is why the film version of “Starship Troopers” was done as a satire on Heinlein’s views).
After reading the book, I find myself more on the side of Verhoeven. No doubt there are many elements of this book which would be extremely cool to an 11 year old boy, such as space commanders fighting giant spiders and what not. But like any Heinlein book, this one is really heavy on the preaching.
The book opens with a really great action sequence, but then flashes back to the decision to enlist and the first days of military training. There follows a lot of talk about the poverty of Marxist economics, the necessity of capital punishment, the importance of publicly flogging juveniles, and how social workers are destroying society.
Then graduation happens, the characters go off to fight for a brief interlude, and then go back to training to become officers. Which follows even more preaching on topics like why only veterans should be able to be citizens.
As Roger Ebert says, “Heinlein was of course a right-wing saber-rattler, but a charming and intelligent one who wrote some of the best science fiction ever.” Heinlein is a talented writer, and his action scenes can be really good when he finally gets around to them. I could have forgiven the right wing politics if they would have been a little bit more subtle or a bit more in the back ground. But aside from being book-ended by a couple action scenes this book is just talk, talk talk. And I didn’t particularly care for what it was saying.
Useless Wikipedia Fact
Part of the criticism the Chronicles of Narnia series have received over the years center on the description of Susan Pevensie in The Last Battle. In the novel, the last of the series, Susan does not go to Narnia; other characters describe Susan as being "no longer a friend of Narnia" and as being interested "in nothing now-a-days except nylons and lipstick and invitations". J.K. Rowling, author of the Harry Potter series, while commenting Lewis' sentimentality about children, has said:
"There comes a point where Susan, who was the older girl, is lost to Narnia because she becomes interested in lipstick. She's become irreligious basically because she found sex, I have a big problem with that."
Others read the passage more critically, including allegations of sexism. Philip Pullman, author of the His Dark Materials trilogy, who has been quoted as saying "I hate the Narnia books...with a passion...", interprets it this way:
"Susan, like Cinderella, is undergoing a transition from one phase of her life to another. Lewis didn't approve of that. He didn't like women in general, or sexuality at all, at least at the stage in his life when he wrote the Narnia books. He was frightened and appalled at the notion of wanting to grow up."
Link of the Day
Another one for the history buffs: this is a clip from a new Japanese documentary about the Far East Military Tribunals. I watched this documentary with Shoko while in Japan, and it was fascinating from a number of perspectives. It was amazing how much Tojo and company resembled George Bush and his crew. They kept talking about how they were going into China in order to liberate it, and everything they had done was for the good of the Chinese people. And they defended Pearl Harbor as a pre-emptive strike.
But more relevant to this particular clip, another interesting thing was the Japanese were unfamiliar with the Anglo-American justice system, and didn't think the Americans appointed to defend them would give them an adequate defense. They were very much surprised when their American defenders actually gave them a good defense. They still lost of course, but it was a good argument. Watch the clip and see for yourselves.
Also this trailer for a Chinese movie based on the same events looks interesting. I wonder when it will be available in the U.S.
Starship Troopers by Robert Heinlein: Book Review (Scripted)
>"There comes a point where Susan, >who was the older girl, is lost to >Narnia because she becomes >interested in lipstick. She's >become irreligious basically >because she found sex, I have a
ReplyDeleteActually, it's because she's discovered social-climbing, a bugbear of Lewis's which turns up in many of his works. (Susan is way too young, if I remember correctly, to be actually doin' it; the lipstick symbolizes her entrance to a social world of reputation-grubbing and showing-off which Lewis constantly derides, in book after book, something he DOESN'T do to sex.) I expect more from JKR.
>Philip Pullman, author of the His >Dark Materials trilogy, who has >been quoted as saying "I hate the >Narnia books...with a passion...", >interprets it this way:
>"Susan, like Cinderella, is >undergoing a transition from one >phase of her life to another. Lewis >didn't approve of that. He didn't >like women in general, or sexuality >at all, at least at the stage in >his life when he wrote the Narnia >books. He was frightened and >appalled at the notion of wanting >to grow up."
Typical of Pullman, whose hatred of Christianity is eclipsed only by his ignorance of it. Where does he get his proof that Lewis "didn't like women in general, or sexuality at all"? Probably from A.N. Wilson's bio, which makes these accusations, more I think for the sake of breeding scandal and sales than for any other reason. The reasons usually given are (a) Lewis's close male friendships and his defense of nonsexual male friendship (does anybody really have a problem with this?), (b) his singleness (and this angle of attack is really cruel in its implications--hey, you're not married yet; you must have a pathological hatred of the sex to which you're attracted), and (c) ... well, this passage in the Narnia books.
I really hate this kind of half-thought-through, oversimplifying, usually part-Freudian armchair psychoanalysis that so often replaces actual cultural/literary criticism. I don't assume that Pullman's fascination with Gnosticism (the religious equivalent of "Whoah, I know something you don't!") and his trilogy's climax (we killed God!) indicates that he is eternally, pathologically lodged in adolescence ... although, well, on second thought ...
By the way, it's not at all clear that Susan is "lost."
That's a fair point Phil. I should clarify that these useless wikipedia facts do not always reflect the opinions of this blog, etc. Just things that I think are interesting. I must confess I personally never made it as far as "The Last Battle" (I got bogged down at "The Horse and his Boy") and so I don't really have an opinion at all about this controversy. But it was interesting to me that it existed. If you follow the link to the wikipedia article, there are also some interesting allegations of racism in the Narnia series as well, which I would be interested in your response to.
ReplyDeleteOh, yeah. I know. Believe me, I wasn't blaming you for Phil Pullman.
ReplyDeleteThe Narnia books definitely reflect an attitude toward Islam that most of us would want to back away from--before sneaking in a glimpse of God saving people who follow non-Christian religions, including the one that the book substitutes for Islam. Which, to me, covers a multitude of sins. But yeah, Lewis was a product of his age, as well as a terrific writer who gave me my first glimpse of the fact that Christianity doesn't have to mean capitalism, literalist proof-texting, hatred of literature and myth and imagination, or assuming everybody who's not Christian goes to hell.
(Similarly, I wouldn't argue that his view of women is very impressive, though it certainly improves as he gets older and falls in love with an incredibly intelligent, independent-minded woman. Even at his worst, there's nothing that would give us any grounds for saying things like "Lewis didn't like women." How would Phil Pullman know that? Did they share a locker?)
"... like any Heinlein book"
ReplyDeleteThis is a strange thing to say for someone who (at the point I wrote this review) had only ever read 2 Heinlein books.
I sometimes like to assume the status of an expert even when I haven't earned it. That line is typical of this tendency.